Hamlet, Protestantism, and the Mourning of Contingency: Not to BeRoutledge, 22/04/2016 - 278 páginas Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new. |
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... Calvin on man in the universe. Hamlet also “flees forward”: his surrender to “providence” relegates free will to the shifts Leibniz is driven to (a happier, neo-Pomponazzian “contingent necessity”); his reflections on bodies accord with ...
... Calvin on man in the universe. Hamlet also “flees forward”: his surrender to “providence” relegates free will to the shifts Leibniz is driven to (a happier, neo-Pomponazzian “contingent necessity”); his reflections on bodies accord with ...
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... Calvin's arguments would make mostly impossible. Composed of believers in modern-day behaviorist and determinist principles who also insist on crediting themselves with powers of discrimination and selfdetermination, latter-day ...
... Calvin's arguments would make mostly impossible. Composed of believers in modern-day behaviorist and determinist principles who also insist on crediting themselves with powers of discrimination and selfdetermination, latter-day ...
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... Calvin's viewpoint, the soul's salvation or damnation was a foregone conclusion. Shakespeare supposedly invented this phrase; his epoch helped him to it. Besides Shakespeare's creation of a theater of self-conscious inwardness, full of ...
... Calvin's viewpoint, the soul's salvation or damnation was a foregone conclusion. Shakespeare supposedly invented this phrase; his epoch helped him to it. Besides Shakespeare's creation of a theater of self-conscious inwardness, full of ...
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... Calvin's Reply to Sadoleto: I believed, as I had been taught, that ... I was redeemed ... from liability to eternal death, but the redemption I thought of could never reach me ... though I had some intervals of quiet, I was still far ...
... Calvin's Reply to Sadoleto: I believed, as I had been taught, that ... I was redeemed ... from liability to eternal death, but the redemption I thought of could never reach me ... though I had some intervals of quiet, I was still far ...
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... Calvin nonetheless agreed. The 1549 Edwardian Liturgy for the Ordering of Priests grants them power to remit sin. The Order for the Visitation of the Sick retains traditional absolution formulas for those with heavy consciences, yet in ...
... Calvin nonetheless agreed. The 1549 Edwardian Liturgy for the Ordering of Priests grants them power to remit sin. The Order for the Visitation of the Sick retains traditional absolution formulas for those with heavy consciences, yet in ...
Índice
Purgatory and the Value of Time | |
The Theater of Merit | |
Chastity and the Strumpet Fortune | |
The Be Protestantism and Silence | |
Bibliography | |
Index | |
Outras edições - Ver tudo
Hamlet, Protestantism, and the Mourning of Contingency: Not to Be Professor John E. Curran Jr Pré-visualização limitada - 2013 |
Hamlet, Protestantism, and the Mourning of Contingency: Not to Be John E. Curran Jr Pré-visualização limitada - 2016 |
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Pré-visualização limitada - 2007 |
Palavras e frases frequentes
action actor Arthur Dent audience Becon Calvin Calvinistic Catholic Catholicism Christ’s Christian Clarendon Press Claudius Claudius’s common revenger concept conscience contingency dead death display doctrine Drama dream Early Modern England empty overstatement English Recusant Literature English Renaissance example father feeling fols Fortune’s Fulke Gertrude Ghost grief Hamlet Hamlet Studies happen heaven Hecuba Horatio human idea improvisation John John of Salisbury killing King Laertes logic Mark Thornton marriage means merely merit meritorious mother nature never one’s Ophelia Oxford University Press papists Parker Society person’s Peter play play’s Polonius possible prayer Princeton University Princeton University Press Protestant Protestantism Purgatory Reformation repentance Richard role Routledge scene seems sense sexual Shakespeare Quarterly Shakespeare’s Tragic Shakespearean Tragedy soliloquy soul speech strumpet Fortune suicide theater metaphor things Thomas Thomas Becon thoughts trans true truth whore whoredom William William Perkins William Tyndale Yale University Yale University Press York