Cumberland's British Theatre: With Remarks, Biographical and Critical : Printed from the Acting Copies, as Performed at the Theatres-royal, London, Volume 11John Cumberland, 1826 |
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... CHARACTERS ENTRANCES AND EXITS , -RELATIVE POSITIONS OF THE PER- FORMERS ON THE STAGE , AND THE WHOLE OF THE STAGE BUSINESS . As now performed at the THEATRES ROYAL , LONDON . EMBELLISHED WITH A PORTRAIT OF MR . KEAN , AS JUNIUS BRUTUS ...
... CHARACTERS ENTRANCES AND EXITS , -RELATIVE POSITIONS OF THE PER- FORMERS ON THE STAGE , AND THE WHOLE OF THE STAGE BUSINESS . As now performed at the THEATRES ROYAL , LONDON . EMBELLISHED WITH A PORTRAIT OF MR . KEAN , AS JUNIUS BRUTUS ...
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... characters of antiquity that have achieved this hard triumph , stands Brutus , who- " The theme of all succeeding times , Gave to the cruel axe a darling son ! " Such an example , however it may raise our veneration , must not be fixed ...
... characters of antiquity that have achieved this hard triumph , stands Brutus , who- " The theme of all succeeding times , Gave to the cruel axe a darling son ! " Such an example , however it may raise our veneration , must not be fixed ...
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... character is further developed . Every other personage is tame and ineffectual , compared with this . Lucretia , who fills so glorious a space in history , has little to do or to say . The scene where she stabs her self , in the ...
... character is further developed . Every other personage is tame and ineffectual , compared with this . Lucretia , who fills so glorious a space in history , has little to do or to say . The scene where she stabs her self , in the ...
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... characters bend forward in great anxiety , Br . To death ! — ( All start ) . When you do reach the spot My hand shall wave , your signal for the act , Then let the trumpet's sound proclaim it done ! A [ TITUS is conducted out by the ...
... characters bend forward in great anxiety , Br . To death ! — ( All start ) . When you do reach the spot My hand shall wave , your signal for the act , Then let the trumpet's sound proclaim it done ! A [ TITUS is conducted out by the ...
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... CHARACTERS , - ENTRANCES AND EXITS , RELATIVE POSITIONS OF THE PER- FORMERS ON THE STAGE , AND THE WHOLE OF THE STAGE BUSINESS . As now performed at the THEATRES ROYAL , LONDON . EMBELLISHED WITH A WOOD ENGRAVING , By Mr. WHITE , from a ...
... CHARACTERS , - ENTRANCES AND EXITS , RELATIVE POSITIONS OF THE PER- FORMERS ON THE STAGE , AND THE WHOLE OF THE STAGE BUSINESS . As now performed at the THEATRES ROYAL , LONDON . EMBELLISHED WITH A WOOD ENGRAVING , By Mr. WHITE , from a ...
Outras edições - Ver tudo
Cumberland's British Theatre, With Remarks, Biographical and Critical ... Thomas Dolby Pré-visualização indisponível - 2017 |
Cumberland's British Theatre, With Remarks, Biographical and Critical ... Thomas Dolby Pré-visualização indisponível - 2017 |
Cumberland's British Theatre: With Remarks, Biographical ..., Volume 13 George Daniel,Thomas Dolby Pré-visualização indisponível - 2016 |
Palavras e frases frequentes
ALI PACHA Alibi Aman Amanthis blood brother Brutus Carl CARLITZ Chris Christine Collatia Collatinus comes CONSTABLE of FRANCE Count dare dear death devil doth dress Duke Enter SIR EXETER Exeunt Exit eyes FABIAN faith father fear fellow Fluellen fool France gentleman give GLOSTER gods hand Harfleur Hass HASSAN hast hath hear heart Heaven Helena honour Illyria Ismail Junius king lady leave letter LICTORS live look lord Lucretia LUDGATE HILL madam majesty Malvolio March Marchioness Marquis marry MONTJOY Mouctar never night Olivia Pacha PATRICK MAGUIRE Pist Pistol poor pray revenge Rome Rons Ronslaus SCENE Selim SIR ANDREW Sir Toby soldier Somno Sophia soul speak Susan sword Talathon Tarquin Tarquinia tell THEATRES ROYAL thee there's Thomas Titus Tullia VALERIUS Zeno Zenocles Zounds
Passagens conhecidas
Página 38 - Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse: We would not die in that man's company That fears his fellowship to die with us.
Página 36 - And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art; For folly that he wisely shows is fit; But wise men, folly-fallen, quite taint their wit.
Página 8 - Hear him but reason in divinity, And, all-admiring, with an inward wish You would desire the king were made a prelate : Hear him debate of commonwealth affairs, You would say, — it hath been...
Página 38 - This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered; We few, we happy few, we band of brothers...
Página 5 - List his discourse of war, and you shall hear A fearful battle render'd you in music : Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter...
Página 21 - Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night; Halloo your name to the reverberate hills And make the babbling gossip of the air Cry out 'Olivia!
Página 20 - A' made a finer end and went away an it had been any christom child ; a' parted even just between twelve and one, even at the turning o' the tide : for after I saw him fumble with the sheets and play with flowers and smile upon his fingers...
Página 11 - If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die.— That strain again;— it had a dying fall; O, it came o'er my ear like the sweet south, That breathes upon a bank of violets, Stealing and giving odour.— Enough; no more; 'Tis not so sweet now as it was before.
Página 29 - A blank, my lord. She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek: she pined in thought, And with a green and yellow melancholy She sat like patience on a monument, Smiling at grief.
Página 38 - To-morrow is saint Crispian :' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispin's day.' Old men forget; yet all shall be forgot, But he'll remember with advantages What feats he did that day...