Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - 284 páginas "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Página 94
... follows Behn most strikingly in dividing his drama into two parts , the first set in " Coromantien " and the second in " Surinam . " South- erne and Ferriar , it will be recalled , completely cut the Coro- mantien section . In fact ...
... follows Behn most strikingly in dividing his drama into two parts , the first set in " Coromantien " and the second in " Surinam . " South- erne and Ferriar , it will be recalled , completely cut the Coro- mantien section . In fact ...
Página 167
... follows : This Relation will not be wholly without its Use , if those , who lan- guish under any Part of his Sufferings , shall be enabled to fortify their Patience by reflecting that they feel only those Afflictions from which the ...
... follows : This Relation will not be wholly without its Use , if those , who lan- guish under any Part of his Sufferings , shall be enabled to fortify their Patience by reflecting that they feel only those Afflictions from which the ...
Página 245
... Follow , poet , follow right To the bottom of the night With your unconstraining voice Still persuade us to rejoice ... follows : " Kipling's views were imperialistic and jingoistic ; Paul Claudel ( 1868–1955 ) , French poet , dramatist ...
... Follow , poet , follow right To the bottom of the night With your unconstraining voice Still persuade us to rejoice ... follows : " Kipling's views were imperialistic and jingoistic ; Paul Claudel ( 1868–1955 ) , French poet , dramatist ...
Índice
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Direitos de autor | |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Pré-visualização limitada - 2002 |
Palavras e frases frequentes
Adonais alternative aristocratic artistic assertion attempt Auden Bandele beauty Beaux Behn believe Belle's Stratagem biography Brendry Burney chapter character classroom Cohen conception concern conclusion conventions critical culture death demonstrate Doricourt double mistress drama Dryden eighteenth century element ethical end Evelina explain extraliterary Farquhar Flecknoe genre analysis genre and ethics goal Guido Hannah Cowley Hogarth ideology Indamora individual interpretation involves Jaques Johnson Letitia Lindamira literary literature loco-descriptive love novel Lycidas MacFlecknoe marriage Martin metacritical Mode moral narrative Norton editors novel Oroonoko Oroonoko and Imoinda Orville Oxford pastoral elegy period plate play poem poet poetry political postmodern problem question Ralph Cohen Rawsley relationship responsibility Restoration comedy Richard Savage romance Rosalind Samuel Johnson satire Savage's scene Scriblerians seen sense Shadwell Shadwell's slaves story suggests teleology tradition tragedy Trefry understand University Press W. B. Yeats William Hogarth writing Yeats