Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - 284 páginas "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Página 141
... seem to ally them firmly with romance . I but there are ' novelistic ' features too . " Mar- tin Scriblerus is a mixed ... seems no principle or overall conception to explain its manifestations . Levinas's term " face " comes to mind in ...
... seem to ally them firmly with romance . I but there are ' novelistic ' features too . " Mar- tin Scriblerus is a mixed ... seems no principle or overall conception to explain its manifestations . Levinas's term " face " comes to mind in ...
Página 201
... seem worse than the maladies , and the quack is not a doctor but a death merchant . Yet the aristocrat seems at ease in this scene , offering the victim , appropriately placed between his legs , assurance that the quack's nostrum will ...
... seem worse than the maladies , and the quack is not a doctor but a death merchant . Yet the aristocrat seems at ease in this scene , offering the victim , appropriately placed between his legs , assurance that the quack's nostrum will ...
Página 204
... seems to swoon . Pursuit of pleasure here takes the two extreme forms of exploitation and neglect . Oblivious to the music , the countess and the lawyer are completely consumed with the plans for their liaison . Oblivious to her host's ...
... seems to swoon . Pursuit of pleasure here takes the two extreme forms of exploitation and neglect . Oblivious to the music , the countess and the lawyer are completely consumed with the plans for their liaison . Oblivious to her host's ...
Índice
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Direitos de autor | |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Pré-visualização limitada - 2002 |
Palavras e frases frequentes
alternative analysis appearance aristocratic artistic assertion attempt beauty Beaux becomes beginning Behn Behn's believe called century chapter character clear comedy conception concern conclusion consider continues conventions critical culture death demonstrate discussion double drama Dryden editors eighteenth century element ethical Evelina explain face fact final genre genre and ethics goal helps human ideology Imoinda important indicates individual interest interpretation involves issue Johnson kind leads less literary literature London MacFlecknoe marriage Martin means mistress Mode moral narrative nature never novel Oroonoko Oxford particularly pastoral period play poem poet poetry political position present Press problem provides question reading reference relation relationship responsibility Restoration comedy Richard Savage romance satire Savage Savage's scene seen sense serves Shadwell shows social stage story Stratagem suggests takes tradition turn understand University writing young