I well could count their causes o'er: Beneath its woes a moment sunk? The earth gave way, the skies rolled round, But erred, for I was fastly bound. And strove to wake; but could not make I felt as on a plank at sea, When all the waves that dash o'er thee, The fancied lights that flitting pass But a confusion worse than such: No matter; I have bared my brow Full in Death's face-before- and now. My thoughts came back; where was I? Cold, And numb, and giddy: pulse by pulse Life reassumed its lingering hold, And throb by throb: till grown a pang My blood reflowed, though thick and chill; My ear with uncouth noises rang, My heart began once more to thrill; My stiffened limbs were rebaptized. We reach the slippery shore at length, With glossy skin, and dripping mane, And reeling limbs, and reeking flank, The wild steed's sinewy nerves still strain Up the repelling bank. We gain the top: a boundless plain Spreads through the shadow of the night, And onward, onward, onward, seems, To stretch beyond the sight; And here and there a speck of white, Or scattered spot of dusky green, In masses broke into the light, In the dim waste would indicate The omen of a cottage gate; That very cheat had cheered me then! Onward we went-but slack and slow; A sickly infant had had power To guide him forward in that hour; But useless all to me. His newborn tameness naught availed – With feeble effort still I tried To rend the bonds so starkly tied- My limbs were only wrung the more, Which but prolonged their pain: Before the eastern flame Rose crimson, and deposed the stars, And called the radiance from their cars, And filled the earth, from his deep throne, With lonely luster, all his own. Up rose the sun; the mists were curled Which lay around behind before; What booted it to traverse o'er Plain, forest, river? Man nor brute, Nor dint of hoof, nor print of foot, Lay in the wild luxuriant soil; And not an insect's shrill small horn, A trampling troop; I see them come! I strove to cry-my lips were dumb. The steeds rush on in plunging pride; But where are they the reins to guide? A thousand horse - and none to ride! With flowing tail, and flying mane, Wide nostrils-never stretched by pain, Mouths bloodless to the bit or rein, And feet that iron never shod, And flanks unscarred by spur or rod, A thousand horse, the wild, the free, Like waves that follow o'er the sea, Came thickly thundering on, As if our faint approach to meet; The sight renerved my courser's feet, A moment staggering, feebly fleet, A moment, with a faint low neigh, He answered, and then fell; With gasps and glazing eyes he lay, And reeking limbs immovable, His first and last career is done! On came the troop- they saw him stoop, They saw me strangely bound along His back with many a bloody thong: They stop-they start- they snuff the air, Gallop a moment here and there, Approach, retire, wheel round and round, Then plunging back with sudden bound, Headed by one black mighty steed, Who seemed the patriarch of his breed, Without a single speck or hair They snort-they foam — neigh— swerve aside, By instinct, from a human eye. They left me there to my despair, Linked to the dead and stiffening wretch, CHARLES XII. AT BENDER. BY VOLTAIRE. [FRANÇOIS MARIE AROUET, who assumed the name Voltaire, was born in Paris, November 21, 1694, and died there, May 30, 1778. He was educated in the Jesuit college Louis-le-Grand, and though intended by his parents for a lawyer he determined to become a writer. From the beginning of his career he was keen and fearless, and by his indiscreet but undeniably witty writing incurred the displeasure of the Duke of Orleans, regent of France, by whom he was imprisoned in the Bastille, 1717-1718. His life was full of action and vicissitude, and though his denunciations of wrong or tyranny from any quarter frequently brought upon him persecution from those in authority, he was acknowledged by the world the greatest writer in Europe. His writings are far too numerous for individual mention, some editions of his collected works containing as many as ninety-two volumes. They include poetry, dramas, and prose. Among his more famous works are: “Œdipus” (1718), “History of Charles XII., King of Sweden" (1730), "Philosophical Letters" (1732), "Century of Louis XIV." (1751), "History of Russia under Peter I." (1759), "Republican Ideas" (1762), "The Bible at Last Explained" (1766), and the "Essay on Manners."] THE king of Sweden was continually soliciting the Porte to send him back through Poland with a numerous army. The divan, in fact, resolved to send him back with a simple guard of seven or eight thousand men, not as a king whom they wished to assist, but as a guest whom they wanted to get rid of. For this purpose, the Sultan Achmet wrote to him in these terms: Most powerful among the kings, adorer of Jesus, redresser of wrongs and injuries, and protector of justice in the ports and republics of the South and North; shining in majesty, friend of honor and glory, and of our Sublime Porte, CHARLES KING OF SWEDEN, whose enterprises God crown with success! |