Theatre Under the NazisJohn London Manchester University Press, 2000 - 356 páginas Were the young people who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers like Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Gründgens and Jürgen Fehling react to the strictures of teh new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? |
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Índice
Thing plays | 54 |
The history plays of the Third Reich | 96 |
Opera in the Nazi period | 136 |
repertory and censorship in the Jüdischer | 187 |
NonGerman drama in the Third Reich | 222 |
the German | 262 |
Outras edições - Ver tudo
Palavras e frases frequentes
Passagens conhecidas
Referências a este livro
Die Ambivalenz der Moderne im Nationalsozialismus: eine Bilanz der Forschung Riccardo Bavaj Visualização de excertos - 2003 |
Entertainment, Propaganda, Education: Regional Theatre in Germany and ... Anselm Heinrich Pré-visualização limitada - 2007 |