Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - 445 páginas Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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... Appendices ... .... 369 Appendix A Excerpts ...... ..371 Shopping for Speeches Appendix B Speeches Appendix C If You Are Working on a Speech by Shakespeare Appendix D Appendix E A Sample Syllabus for a Course on Acting Narrative ...
... Appendices ... .... 369 Appendix A Excerpts ...... ..371 Shopping for Speeches Appendix B Speeches Appendix C If You Are Working on a Speech by Shakespeare Appendix D Appendix E A Sample Syllabus for a Course on Acting Narrative ...
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... Appendix A ) We came down this alley of trees ( Excerpt 3 , Appendix A ) He had this farm with white fences . I never saw so many white fences . ( Excerpt 3 , Appendix A ) They sleep on the wind - never light on this earth but one time ...
... Appendix A ) We came down this alley of trees ( Excerpt 3 , Appendix A ) He had this farm with white fences . I never saw so many white fences . ( Excerpt 3 , Appendix A ) They sleep on the wind - never light on this earth but one time ...
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... Appendix A ) still tugging at the vein till it was twelve yards long as if it held that body like a kite ( Speech 5 , Appendix B ) 8.17 After the horizontal tugging of the first two lines , the kite image , so much lighter than its ...
... Appendix A ) still tugging at the vein till it was twelve yards long as if it held that body like a kite ( Speech 5 , Appendix B ) 8.17 After the horizontal tugging of the first two lines , the kite image , so much lighter than its ...
Palavras e frases frequentes
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words