Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - 445 páginas Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Página 213
... build the anger in an organic way . Builds A build is a fade that rises to a climax : there is a gradual increase in the intensity of a particular energy until the highest , most forceful point is reached . A build can shape material so ...
... build the anger in an organic way . Builds A build is a fade that rises to a climax : there is a gradual increase in the intensity of a particular energy until the highest , most forceful point is reached . A build can shape material so ...
Página 214
... build , but they are common : we tend to talk faster and louder and to get higher in pitch when we get excited . But it is possible to construct a reverse build , which starts relatively loud and fast and high - pitched , and then ...
... build , but they are common : we tend to talk faster and louder and to get higher in pitch when we get excited . But it is possible to construct a reverse build , which starts relatively loud and fast and high - pitched , and then ...
Página 216
... build and its aftermath . When you are acting a speech that tells a story , a build means re - living the shape of events . 4. Back off in the opposite direction before beginning a build . Since the formal components of a build often ...
... build and its aftermath . When you are acting a speech that tells a story , a build means re - living the shape of events . 4. Back off in the opposite direction before beginning a build . Since the formal components of a build often ...
Palavras e frases frequentes
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words