Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - 445 páginas Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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... draft . After you have that first draft on its feet , you will continue to work on your speech , developing opposites and layers ( in Chapters 15-17 ) , and revising along the way . Some moments from your first draft may stick ; others ...
... draft . After you have that first draft on its feet , you will continue to work on your speech , developing opposites and layers ( in Chapters 15-17 ) , and revising along the way . Some moments from your first draft may stick ; others ...
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... draft of Weston's speech about the eagle ( Speech 9 , Appendix B ) , you had focused on the thrill that this former pilot experiences as the eagle takes off : he starts cheering for the bird's " suicidal aeronautics . " But your first draft ...
... draft of Weston's speech about the eagle ( Speech 9 , Appendix B ) , you had focused on the thrill that this former pilot experiences as the eagle takes off : he starts cheering for the bird's " suicidal aeronautics . " But your first draft ...
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... draft's energy in this opposite draft . Good opposites work requires the flexibility to go all the way with a new opposite , to play it as single- mindedly as possible , from beginning to end . Since you are focusing on one opposite ...
... draft's energy in this opposite draft . Good opposites work requires the flexibility to go all the way with a new opposite , to play it as single- mindedly as possible , from beginning to end . Since you are focusing on one opposite ...
Palavras e frases frequentes
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words