Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - 445 páginas Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Página 287
... feel if he or she were killing a spouse may be layered into Clytemnestra as opposites . Both these steps make it possible to identify not only with the victim but with the perpetrator of the crime . If an audience is positioned to ...
... feel if he or she were killing a spouse may be layered into Clytemnestra as opposites . Both these steps make it possible to identify not only with the victim but with the perpetrator of the crime . If an audience is positioned to ...
Página 355
... feel like herself anymore , since her identity was defined by being different . Becoming an insider may even lead to guilty self - loathing . And the inside may feel confining and claustrophobic in contrast to the freedom from ...
... feel like herself anymore , since her identity was defined by being different . Becoming an insider may even lead to guilty self - loathing . And the inside may feel confining and claustrophobic in contrast to the freedom from ...
Página 382
... feel this country close like it was part of my bones . I could feel the presence of all the people outside , at night , in the dark . Even sleeping people I could feel . Even all the sleeping animals . Dogs . Peacocks . Bulls . Even ...
... feel this country close like it was part of my bones . I could feel the presence of all the people outside , at night , in the dark . Even sleeping people I could feel . Even all the sleeping animals . Dogs . Peacocks . Bulls . Even ...
Palavras e frases frequentes
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words