Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - 445 páginas Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Página 133
... physical adjustments that create an easy flow of characterizations . You might , for example , use a chair to shape a flow of images that quite specifically capture the essence of each little scene . • Then play with spatial variations ...
... physical adjustments that create an easy flow of characterizations . You might , for example , use a chair to shape a flow of images that quite specifically capture the essence of each little scene . • Then play with spatial variations ...
Página 167
... physical event of voicing " burst " puts you in the moment and gives you its emotion : one doesn't need to feel anything over and above full commitment to this language . What the language can do to us " What matters is not what we can ...
... physical event of voicing " burst " puts you in the moment and gives you its emotion : one doesn't need to feel anything over and above full commitment to this language . What the language can do to us " What matters is not what we can ...
Página 229
... physical life of this build ? Explore on your feet . 2. Prepare a fade in which a specific energy gradually changes to a very different , high contrast energy . • You should be able to articulate clearly and succinctly the two poles of ...
... physical life of this build ? Explore on your feet . 2. Prepare a fade in which a specific energy gradually changes to a very different , high contrast energy . • You should be able to articulate clearly and succinctly the two poles of ...
Palavras e frases frequentes
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words