CHARACTER WRITINGS

OF THE

SEVENTEENTH CENTURY.

CHARACTER WRITING, as a distinct form of Literature, had its origin more than two thousand years ago in the hoixoi Xagazτñges - Ethic Characters of Tyrtamus of Lesbos, a ἠθικοί χαρακτῆρες disciple of Plato, who gave him for his eloquence the name of Divine Speaker-Theophrastus. Aristotle left him his library and all his MSS., and named him his successor in the schools of the Lyceum. Nicomachus, the son of Aristotle, was among his pupils. He followed in the steps of Aristotle. Diogenes Laertius ascribed to Theophrastus two hundred and twenty books. He founded, by a History of Plants, the science of Botany; and he is now best known by the little contribution to Moral Philosophy, in which he gave twenty-eight short chapters to concise description of twenty-eight differing qualities in men. The description in each chapter was not of a man, but of a quality. The method of Theophrastus, as Casaubon said, was between the philosophical and the poetical. He described a quality, but he described it by personification, and his aim was the amending of men's manners. The twenty-eight chapters that have come down to us are probably no more than a fragment ofs a larger work. They describe vices, and not all of them. Another part, now lost, may have described the virtues. In a short proem the writer speaks of himself as ninety-nine years oli. Probably those two nines were only a poetical suggestion of long experience

from which these pictures of the constituents of human life and action had been drawn. He had wondered, he said, before he thought of writing such a book, at the diversities of manners among Greeks all born under one sky and trained alike. For many years

he had considered and compared the ways of men; he had lived to be ninety-nine. Our children may be the better for a knowledge of our ways of daily life, that they may grow into the best. Observe and see whether I describe them rightly. I will begin, he says, with Dissimulation. I will first define the vice, and then describe the quality and manners of the man who dissembles. After that I will endeavour to describe also the other qualities of mind, each in its kind. Then follow the Characters of these twenty-eight qualities: Dissimulation, Adulation, Garrulity, Rusticity, Blandishment, Senselessness, Loquacity, Newsmongering, Impudence, Sordid Parsimony, Impurity, Ill-timed Approach, Inept Sedulity, Stupidity, Contumacy, Superstition, Querulousness, Distrust, Dirtiness, Tediousness, Sordid or Frivolous Desire for Praise, Illiberality, Ostentation, Pride, Timidity, Oligarchy, or the vehement desire for honour, without greed for money, Insolence, and Evil Speaking. One of these Characters may serve as an example of their method, and show their place in the ancestry of Characters as they were written in England in the Seventeenth Century.

STUPIDITY.

You may define Stupidity as a slowness of mind in word or deed. But the Stupid Man is one who, sitting at his counters, and having made all his calculations and worked out his sum, asks one who sits by him how much it comes to. When any

one has a suit against him, and he has come to the day when the cause must be decided, he forgets it and walks out into his field. Often also when he sits to see a play, the rest go out and he is leit, fallen asleep in the theatre. The same man, having eaten

relieve himself, and fall over

too much, will go out in the night to the neighbour's dog, who bites him. The same man, having hidden away what he has received, is always searching for it, and never

finds it. And when it is announced to him that one of his intimate friends is dead, and he is asked to the funeral, then, with a face set to sadness and tears, he says, "Good luck to it!" When he receives money owing to him he calls in witnesses, and in midwinter he scolds his man for not having gathered cucumbers. To train his boys for wrestling he makes them race till they are tired. Cooking his own lentils in the field, he throws salt twice into the pot and makes them uneatable. When it rains he says, "How sweet I find this water of the stars." And when some one asks, "How many have passed the gates of death?" [proverbial phrase for a great number] answers, "As many, I hope, as will be enough for you and me."

The first and the best sequence of" Characters" in English Literature is the series of sketches of the Pilgrims in the Prologue to Chaucer's “Canterbury Tales." The Characters are so varied as to unite in representing the whole character of English life in Chaucer's day; and they are written upon one plan, each with suggestion of the outward body and its dress as well as of the mind within. But Chaucer owed nothing to Theophrastus. In his Character Writing he drew all from nature with his own good wit. La Bruyère in France translated the characters of Theophrastus, and his own writing of Characters in the seventeenth century followed a fashion that had its origin in admiration of the wit of those Greek Ethical Characters. La Bruyère was born in 1639 and died in 1696. Our Joseph Hall, whose "Characters of Vices and Virtues" were written in 1608, and translated into French twenty years before La Bruyère was born, said, in his Preface to them, "I have done as I could, following that ancient Master of Morality who thought this the fittest task for the ninety-ninth year of his age, and the profitablest Monument that he could leave for a farewell to his Grecians."

There was some aim at short and witty sketches of character in descriptions of the ingenuity of horse-coursers and coney-catchers who used quick wit for beguiling the unwary in those bright days of Elizabeth, when the very tailors and cooks worked fantasies in silk and velvet, sugar and paste. Thomas Harman, whose grandfather

B

had been Clerk of the Crown under Henry VII., and who himself inherited estates in Kent, became greatly interested in the vagrant beggars who came to his door. He made a study of them, came to London to publish his book, and lodged at Whitefriars, within the Cloister, for convenience of nearness to them, and more thorough knowledge of their ways. He first published his book in 1567 as A Caveat or Warning for Common Cursitors, vulgarly called Vagabonds-" A Caueat or Warening for common cursetors, Vulgarely called Vagabones, set forth by Thomas Harman, Esquiere, for the utilite and proffyt of his naturall Cuntrey," and he dedicated it to Elizabeth, Countess of Shrewsbury. It contained twenty-four character sketches, gave the names of the chief tramps then living in England, and a vocabulary of their cant words. This is Harman's first character:

A RUFFLER.

The Ruffler, because he is first in degree of this odious order, and is so called in a statute made for the punishment of Vagabonds in the twenty-seventh year of King Henry VIII., late of most famous memory, he shall be first placed as the worthiest of this unruly rabblement. And he is so called when he goeth first abroad. Either he hath served in the wars, or else he hath been a serving-man, and weary of well-doing, shaking off all pain, doth choose him this idle life; and wretchedly wanders about the most shires of this realm, and with stout audacity demandeth, where he thinketh he may be bold, and circumspect enough where he seeth cause, to ask charity ruefully and lamentably, that it would make a flinty heart to relent and pity his miserable estate, how he hath been maimed and bruised in the wars. Peradventure one will show you some outward wound which he got at some drunken fray, either halting of some privy wound festered with a filthy fiery flankard [brand]. For be well assured that the hardiest soldiers be either slain or maimed, either and [or if] they escape all hazards and return home again, if they be without relief of their friends they will surely desperately rob and steal,