affections in the one balance, and that sways. His friend always shall do best, and you shall rarely hear good of his enemy. He considers first the man and then the thing, and restrains all merit to what they deserve of him. Commendations he esteems not the debt of worth, but the requital of kindness; and if you ask his reason, shows his interest, and tells you how much he is beholden to that man. He is one that ties his judgment to the wheel of fortune, and they determine giddily both alike. He prefers England before other countries because he was born there, and Oxford before other universities, because he was brought up there, and the best scholar there is one of his own college, and the best scholar there is one of his friends. He is a great favourer of great persons, and his argument is still that which should be antecedent; as,-he is in high place, therefore virtuous;-he is preferred, therefore worthy. Never ask his opinion, for you shall hear but his faction, and he is indifferent in nothing but conscience. Men esteem him for this a zealous affectionate, but they mistake him many times, for he does it but to be esteemed So. Of all men he is worst to write an history, for he will praise a Sejanus or Tiberius, and for some petty respect of his all posterity shall be cozened.

A TRUMPETER

Is the elephant with the great trunk, for he eats nothing but what comes through this way. His profession is not so worthy as to occasion insolence, and yet no man so much puffed up. His face is as brazen as his trumpet, and (which is worse) as a fiddler's, from whom he differeth only in this, that his impudence is dearer. The sea of drink and much wind make a storm perpetually in his cheeks, and his look is like his noise, blustering and tempestuous. He was whilom the sound of war, but now of peace; yet as terrible as ever, for wheresoever he comes they are sure to pay for it. He is the common attendant of glittering folks, whether in the court or stage, where he is always the prologue's prologue.1 1 The prologue to our ancient dramas was ushered in by trumpets. Present not yourselfe on the stage (especially at a new play) untill the quaking prologue

He is somewhat in the nature of a hogshead, shrillest when he is empty; when his belly is full he is quiet enough. No man proves life more to be a blast, or himself a bubble, and he is like a counterfeit bankrupt, thrives best when he is blown up.

A VULGAR-SPIRITED MAN

One that follows merely the

Is one of the herd of the world. common cry, and makes it louder by one. A man that loves none but who are publickly affected, and he will not be wiser than the rest of the town. That never owns a friend after an ill name, or some general imputation, though he knows it most unworthy. That opposes to reason, thus men say;" and "thus most do; and “thus the world goes;" and thinks this enough to poise the other. That worships men in place, and those only; and thinks all a great man speaks oracles. Much taken with my lord's jest, and repeats you it all to a syllable. One that justifies nothing out of fashion, nor any opinion out of the applauded way. That thinks certainly all Spaniards and Jesuits very villains, and is still cursing the pope and Spinola. One that thinks the gravest cassock the best scholar; and the best clothes the finest man. That is taken only with broad and obscene wit, and hisses any thing too deep for him. That cries, Chaucer for his money above all our English poets, because the voice has gone so, and he has read none. That is much ravished with such a nobleman's courtesy, and would venture his life for him, because he put off his hat. One that is foremost still to kiss the king's hand, and cries, "God bless his majesty!" loudest. That rails on all men condemned and out of favour, and the first that says "away with the traitors!"—yet struck with much ruth at executions, and for pity to see a man die, could kill the hangman. That comes to London to see it, and the pretty things in it, and, the chief cause of his

hath (by rubbing) got cullor into his cheekes, and is ready to giue the trumpets their cue that hee's vpon point to enter."-Decker's Gul's Hornbook, 1609, p. 30. "Doe you not know that I am the Prologue? Do you not see this long blacke veluet cloke vpon my backe? Haue you not sounded thrice?"—Heywood's Foure Prentises of London, 4to, 1615.

journey, the bears. That measures the happiness of the kingdom by the cheapness of corn, and conceives no harm of state, but ill trading. Within this compass too, come those that are too much wedged into the world, and have no lifting thoughts above those things; that call to thrive, to do well; and preferment only the grace of God. That aim all studies at this mark, and show you poor scholars as an example to take heed by. That think the prison and want a judgment for some sin, and never like well hereafter of a jail-bird. That know no other content but wealth, bravery, and the town-pleasures; that think all else but idle speculation, and the philosophers madmen. In short, men that are carried away with all outwardnesses, shows, appearances, the stream, the people; for there is no man of worth but has a piece of singularity, and scorns something.

A PLODDING Student

Is a kind of alchymist or persecutor of nature, that would change the dull lead of his brain into finer metal, with success many times as unprosperous, or at least not quitting the cost, to wit, of his own oil and candles. He has a strange forced appetite to learning, and to achieve it brings nothing but patience and a body. His study is not great but continual, and consists much in the sitting up till after midnight in a rug-gown and a nightcap, to the vanquishing perhaps of some six lines; yet what he has, he has perfect, for he reads it so long to understand it, till he gets it without book. He may with much industry make a breach into logic, and arrive at some ability in an argument; but for politer studies he dare not skirmish with them, and for poetry accounts it impregnable. His invention is no more than the finding out of his papers, and his few gleanings there; and his disposition of them is as just as the book-binder's, a setting or gluing of them together. He is a great discomforter of young students, by telling them what travel it has cost him, and how often his brain turned at philosophy, and makes others fear studying as a cause of duncery. He is a man much given to

apophthegms, which serve him for wit, and seldom breaks any jest but which belonged to some Lacedemonian or Roman in Lycosthenes. He is like a dull carrier's horse, that will go a whole week together, but never out of a foot pace; and he that sets forth on the Saturday shall overtake him.

PAUL'S WALK 1

Is the land's epitome, or you may call it the lesser isle of Great Britain. It is more than this, the whole world's map, which you may here discern in its perfectest motion, justling and turning. It is a heap of stones and men, with a vast confusion of languages; and were the steeple not sanctified, nothing liker Babel. The noise in it is like that of bees, a strange humming or buzz mixed of walking tongues and feet: it is a kind of still roar or loud whisper. It is the great exchange of all discourse, and no business whatsoever but is here stirring and a-foot. It is the synod of all pates politick, jointed and laid together in most serious posture, and they are not half so busy at the parliament. It is the antic of tails to tails, and backs to backs, and for vizards you need go no farther than faces. It is the market of young lecturers, whom you may cheapen here at all rates and sizes. It is the general mint of all famous lies, which are here like the legends of popery, first coined and stamped in the church. All inventions are emptied here, and not few pockets. The best sign of a temple in it is, that it is the thieves' sanctuary,

1 St. Paul's Cathedral was, during the reigns of Elizabeth and James, a sort of exchange and public parade, where business was transacted between merchants, and where the fashionables of the day exhibited themselves. The reader will find several allusions to this custom in the variorum edition of Shakspeare, K. Henry IV., part 2. Osborne, in his Traditional Memoires on the Reigns of Elizabeth and James, 12m0, 1658, says, "It was the fashion of those times (James I.) and did so continue till these, (the interregnum,) for the principal gentry, lords, courtiers, and men of all professions, not merely mechanicks, to meet in St. Paul's church by eleven, and walk in the middle isle till twelve, and after dinner from three to six; during which time some discoursed of business, others of news.” Weever complains of the practice, and says, it could be wished that walking in the middle isle of Paules might be forborne in the time of diuine seruice." Ancient Funeral Monuments, 1631, page 373.

which rob more safely in the crowd than a wilderness, whilst every searcher is a bush to hide them. It is the other expence of the day, after plays and tavern; and men have still some oaths left to swear here. The visitants are all men without exceptions, but the principal inhabitants and possessors are stale knights and captains1 out of service; men of long rapiers and breeches, which after all turn merchants here and traffic for Some make it a preface to their dinner, and travel for a stomach; but thriftier men make it their ordinary, and board here very cheap.2 Of all such places it is least haunted with hobgoblins, for if a ghost would walk more, he could not.

news.

A Cook.

The kitchen is his hell, and he the devil in it, where his meat and he fry together. His revenues are showered down from the fat of the land, and he interlards his own grease among, to help the drippings. Choleric he is not by nature so much as his art, and it is a shrewd temptation that the chopping-knife is so near. His weapons ofter offensive are a mess of hot broth and scalding water, and woe be to him that comes in his way. In the kitchen he will domineer and rule the roast in spite of his master, and curses in the very dialect of his calling. His labour is mere blustering and fury, and his speech like that of sailors in a storm, a thousand businesses at once; yet, in all this tumult, he does not love combustion, but will be the first man that shall go and quench it. He is never a good Christian till a hissing pot of ale has slacked him, like water cast on a firebrand, and for that time he is tame and dispossessed. His cunning is not small in architecture, for he builds strange fabrics in paste, towers and

1 In the Dramatis Persona to Ben Jonson's Every Man in his Humour, Bobadil is styled a Paul's man; and Falstaff tells us that he bought Bardolph in Paul s. King Henry IV., part 2.