WYE SALTONSTALL, author of " Picture Loquentes, or Pictures drawn forth in Characters. With a Poeme of a Maid." The poem of a Maid was, of course, suggested by the fact that Sir Thomas Overbury's Characters had joined to them the poem of a Wife. There was a second edition in 1635. Saltonstall's Characters were the World, an Old Man, a Woman, a Widow, a True Lover, a Country Bride, a Ploughman, a Melancholy Man, a Young Heir, a Scholar in the University, a Lawyer's Clerk, a Townsman in Oxford, an Usurer, a Wandering Rogue, a Waterman, a Shepherd, a Jealous Man, a Chamberlain, a Maid, a Bailey, a Country Fair, a Country Alehouse, a Horse Race, a Farmer's Daughter, a Keeper, a Gentleman's House in the Country; to which he added in the second edition, a Fine Dame, a Country Dame, a Gardener, a Captain, a Poor Village, a Merry Man, a Scrivener, the Term, a Mower, a Happy Man, an Arrant Knave, and an Old Waiting GentleThis is one of his Characters as quoted by Philip Bliss in the Appendix to his edition of Earle woman. THE TERM Is a time when Justice keeps open court for all comers, while her sister Equity strives to mitigate the rigour of her positive sentence. It is called the term, because it does end and terminate business, or else because it is the Terminus ad quem, that is, the end of the countryman's journey, who comes up to the term, and with his hobnail shoes grinds the faces of the poor stones, and so returns again. It is the soul of the year, and makes it quick, which before was dead. Innkeepers gape for it as earnestly as shell-fish do for salt water after a low ebb. It sends forth new books into the world, and replenishes Paul's Walk with fresh company, where Quid novi is their first salutation, and the weekly news their chief discourse. The taverns are painted against the term, and many a cause is argued there and tried at that bar, where you are adjudged to pay the costs and charges, and so dismissed with "welcome, gentlemen." Now the city puts her best side outward, and a new play at the Blackfriars is attended on with coaches. It keeps watermen from sinking, and helps them with many a fare voyage to Westminster. Your choice beauties come up to it only to see and be seen, and to learn the newest fashion, and for some other recreations. Now many that have been long sick and crazy begins to stir and walk abroad, especially if some young prodigals come to town, who bring more money than wit. Lastly, the term is the joy of the city, a dear friend to countrymen, and is never more welcome than after a long vacation. We have also, in 1632, "London and Country Carbonadoed and Quartered into Several Characters," by Donald Lupton; in 1633, the "Character of a Gentleman," appended to Brathwait's "English Gentleman;" in 1634, “A strange Metamorphosis cf Man, transformed into a Wilderness, Deciphered in Characters," of which this is a specimen :— THE HORSE Is a creature made, as it were, in wax. When Nature first framed him, she took a secret complacence in her work. He is even her masterpiece in irrational things, borrowing somewhat of all things to set him forth. For example, his slick bay coat he took from the chestnut; his neck from the rainbow, which perhaps make him rain so well. His mane belike he took from Pegasus, making him a hobby to make this a complete jennet, which mane he wears so curled, much after the women's fashions now-a-days ;—this I am sure of, howsoever, it becomes them, [and] it sets forth our jennet well. His legs he borrowed of the hart, with his swiftness, which makes him a true courser indeed. The stars in his forehead he fetched from heaven, which will not be much missed, there being so many. The little head he hath, broad breast, fat buttock, and thick tail are properly his own, for he knew not where to get him better. If you tell him of the horns he wants to make him most complete, he scorns the motion, and sets them at his heel. He is well shod, especially in the upper leather, for as for his soles, they are much at reparation, and often fain to be removed. Nature seems to have spent an apprenticeship of years to make you such a one, for it is full seven years ere he comes to this perfection, and be fit for the saddle: for then (as we), it seems to come to the years of discretion, when he will show a kind of rational judgment with him, and if you set an expert rider on his back, you shall see how sensible they will talk together, as master and scholar. When he shall be no sooner mounted and planted in the seat, with the reins in one hand, a switch in the other, and speaking with his spurs in the horse's flanks, a language he well understands, but he shall prance, curvet, and dance the canaries half an hour together in compass of a bushel, and yet still, as he thinks, get some ground, shaking the goodly plume on his head with a comely pride. This will our Bucephalus do in the lists: but when he comes abroad into the fields, he will play the country gentleman as truly, as before the knight in tournament. If the game be up once, and the hounds in chase, you shall see how he will prick up his ears straight, and tickle at the sport as much as his rider shall, and laugh so loud, that if there be many of them, they will even drown the rural harmony of the dogs. When he travels, of all inns he loves best the sign of the silver bell, because likely there he fares best, especially if he come the first and get the prize. He carries his ears upright, nor seldom ever lets them fall till they be cropped off, and after that, as in despite, will never wear them more. His tail is so essential to him, that if he lose it once he is no longer a horse, but ever styled a curtall. To conclude, he is a blade of Vulcan's forging, made for Mars of the best metal, and the post of Fame to carry her tidings through the world, who, if he knew his own strength, would shrewdly put for the monarchy of our wilderness." Then there were separate Characters, as "of a Projector" (1642); "of an Oxford Incendiary" (1645); and in 1664, "A New Anatomie, or Character of a Christian or Roundhead, expressing his Description, Excellencie, Happiness, and Innocencie. Wherein may appear how far this blind World is mistaken in their unjust Censures of him." Several Characters were included in Lord North's "Forest of Varieties," published in 1645. Fourteen Characters, some of individual persons, were in the "Characters and Elegies, by Sir Francis Wortley, Knight and Baronet," published in 1646. The author was son of Sir Richard Wortley of Wortley in Yorkshire. He was a good royalist, was taken prisoner in the civil wars, and wrote his Characters in the Tower. They were these:-The Character of his Royall Majestie; the Character of the Queene's Majestie; the Hopeful Prince; a true Character of the illustrious James, Duke of York; the Character of a Noble General; a true English Protestant; au Antinomian, or Anabaptistical Independent; a Jesuit; the true Character of a Northern Lady, as she is Wife, Mother, and Sister; the Politique Neuter; the Citie Paragon; a Sharking Committee-man; Britannicus his Pedigree -a fatall Prediction of his end; and last, the Phoenix of the Court. In 1646, T. F., who is named by interlineation on his title-page among the King's Pamphlets, T. Ford, servant to Mr. Sam. Man, produced the “Times Anatomized, in several Characters." These were: A Good King, Rebellion, an Honest Subject, an Hypocritical Convert of the Times, a Soldier of Fortune, a Discontented Person, an Ambitious Man, the Vulgar, Error, Truth, a Self-seeker, Pamphlets, an Envious Man, True Valour, Time, a Neuter, a Turn-Coat, a Moderate Man, a Corrupt Committee-man, a Sectary, War, Peace, a Drunkard, a Novice, Preacher, a Scandalous Preacher, a Grave Divine, a SelfConceited Man, Religion, Death. This is T. Ford's Character of Pamphlets PAMPHLETS Are the weekly almanacs, showing what weather is in the state, which, like the doves of Aleppo, carry news to every part of the kingdom. They are the silent traitors that affront majesty, and abuse all authority, under the colour of an imprimatur. Ubiqui tary flies that have of late so blistered the ears of all men, that they cannot endure the solid truth. The echoes, whereby what done in part of the kingdom, is heard all over. They are like the mushrooms, sprung up in a night, and dead in a day; and such is the greediness of men's natures (in these Athenian days) of new, that they will rather feign than want it. So the tide ran on. In 1647 there was "The Character of an Agitator," and also John Cleveland's Character of a London Diurnal. JOHN CLEVELAND, The Cavalier poet, born at Loughborough in Leicestershire in 1613, son of an usher in a free school there, was sent to Milton's College, Christ's, at Cambridge in 1627, when he was fifteen years old. Milton had gone to Christ's two years before, but at the age of seventeen. Cleveland left Christ's College in 1631, when he took his B.A. degree, and went to St. John's, of which he was elected a Fellow in March 1634. He proceeded M.A. in 1634, and studied afterwards both law and physics, living for nine years at Cambridge. John Cleveland was ejected from his position as Fellow and Tutor by the Parliamentary visitors in February 1645 (new style), and was sent to Newark as judge advocate under Sir Richard Willis, the Governor. After the surrender at Newark, Cleveland depended upon friendship of cavaliers who gave him hospitality for his witty companionship, and the good scholarship that made him valuable as a tutor to their sons. Cleveland, who lives among our poets, wrote in the first days of his trouble these three prose Characters: THE CHARACTER OF A COUNTRY COMMITTEE-MAN, WITH A committee-man by his name should be one that is possessed, there is number enough in it to make an epithet for legion. He |