Our SenecaArchon Books, 1968 - 285 páginas |
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Página 72
... opening lines of seven others are cited by Aristophanes in the Frogs . One thing is noteworthy at once about the prologues as a whole . The employment of a long and formal speech with which to open the play has become the regular ...
... opening lines of seven others are cited by Aristophanes in the Frogs . One thing is noteworthy at once about the prologues as a whole . The employment of a long and formal speech with which to open the play has become the regular ...
Página 73
... opening is of the same sort , but the original speaker does not withdraw and is joined by another character , the two engaging in a natural conversation which con- tinues through the prologue and until the entrance of the chorus . In ...
... opening is of the same sort , but the original speaker does not withdraw and is joined by another character , the two engaging in a natural conversation which con- tinues through the prologue and until the entrance of the chorus . In ...
Página 85
... opening with the captive Trojan women grouped on the stage . Hecuba sufficiently identifies herself and them . There is , however , a dif- ferent feeling from that produced by a Greek play in which the entrance of the chorus is ...
... opening with the captive Trojan women grouped on the stage . Hecuba sufficiently identifies herself and them . There is , however , a dif- ferent feeling from that produced by a Greek play in which the entrance of the chorus is ...
Índice
PREFACE vii | 3 |
THE BACKGround of SeNECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aegisthus Aeschylus Agamemnon Ajax Amphitryon ANTISTROPHE appears Athens audience Bacchus Calchas character choral ode chorus Clytemnestra comes curse death Deianeira dialogue didst divine dost drama dread earth Elektra entrance epic Eteocles Euripides exit fact familiar Fate father fear follows Fortune function fury ghost give gods Greek hand hast heaven Hecuba Hercules Furens Hercules on Oeta Herdsman Hippolytus Horace horror imperium Iokaste King Kreon Laius lines logue long speech lord Medea Megara messenger speeches messenger's speech monologue motivation murder narrative natural naught never nurse Oedipus Oeta opening oracle Orestes pestilence Phaedra philosophic Phoebus Phorbas play plot poet Polybus prayer present prologue Prometheus recitation rhetorical Roman Rome Satire scene senate Seneca Senex Sophocles soul speak speaker stage Stoic Stoicism story suppliant technique tell Thebes thee Theseus thine Thyestes tion Tiresias tone tragedy Troades Twas tyrant unto wholly words