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TO AUTUMN NEAR HER DEPARTURE.

Thou maid of gentle light! thy straw-wove vest,
And russet cincture; thy loose pale-tinged hair;
Thy melancholy voice and languid air,
As if shut up within that pensive breast,
Some ne'er-to-be-divulged grief was prest;

Thy looks resign'd, that smiles of patience wear,
While Winter's blasts thy scattered tresses tear;
Thee, Autumn, with divinest charms have blest
Let blooming Spring with gaudy hopes delight,

That dazzling Summer shall of her be born; Let Summer blaze, and Winter's stormy train Breathe awful music in the ear of night;

Thee will I court, sweet dying maid forlorn, And from thy glance will catch th' inspired strain. SIR EGERTON BRYDGES, 1762-1887.

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Oping the dusky eyelids of the South,

Till shade and silence waken up as one,

And Morning sings with a warm, odorous mouth.
Where are the merry birds?-away, away,

On panting wings, through the inclement skies,
Lest owls should prey,
Undazzled at noon-day,

And tear with horny beak their lustrous eyes.

Where are the blooms of Summer? In the West,
Blushing their last to the last sunny hours,
When the mild Eve by sudden Night is prest,
Like tearful Proserpine, snatch'd from her flow'rs,
To a most gloomy breast.

Where is the pride of Summer-the green prime-
The merry, merry leaves all twinkling ?-there
On the moss'd elm; there on the naked lime
Trembling-and one upon the old oak-tree!
Where is the Dryad's immortality?
Gone into mournful cypress and dark yew,
Or wearing the long, gloomy Winter through
In the smooth holly's green eternity.

IV.

The squirrel gloats on his accomplish'd hoard;
The ants have cramm'd their garners with ripe grain,
And honey-bees have stored

The sweets of Summer in their luscious cells;
The swallows all have winged across the main;
But here the Autumn melancholy dwells,

And sighs her tearful spells

Among the sunless shadows of the plain :
Alone, alone,

Upon a mossy stone,

She sits and reckons up the dead and gone
With the last leaves for a lone-rosary,
While all the wither'd world looks drearily,
Like a dim picture of the drowned past
In the hush'd mind's mysterious far away,
Doubtful what ghostly thing will steal the last
Into the distance, gray upon the gray.

V.

O go and sit with her, and be o'ershaded
Under the languid downfall of her hair;
She wears a coronal of flowers faded
Upon her forehead, and a face of care;
There is enough of withered every where
To make her bower, and enough of gloom,
There is enough of sadness to invite,
If only for the rose that died, whose doom
Is Beauty's-she that with the living bloom

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AUTUMN.

Of conscious cheeks most beautifies the light.
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear-
Enough of chilly droppings from her brow-
Enough of fear and shadowy despair

To frame her cloudy prison for the soul!

ODE

TO WILLIAM LYTTLETON, ESQ.,

TOWARD THE CLOSE OF THE YEAR 1748.

How blithely passed the summer's day!
How bright was every flower!
While friends arrived in circles gay
To visit Damon's bower!

But now with silent step I range
Along some lonely shore;

And Damon's bower (alas the change!)
Is gay with friends no more.

Away to crowds and cities borne,
In quest of joy they steer;
While I, alas, am left forlorn
To weep the parting year!

O pensive Autumn, how I grieve
Thy sorrowing face to see!

When languid suns are taking leave

Of every drooping tree.

Ah! let me not with heavy eye

This dying scene survey!

Haste, Winter, haste; usurp the sky;
Complete my bower's decay!

Ill can I bear the motley cast

Yon sickening leaves retain,

That speak at once of pleasure past,
And bode approaching pain.

Ah, home unblessed! I gaze around,
My distant scenes require,

325

THOMAS HOOD.

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