J. M. Synge; a Critical StudyM. Secker, 1912 - 215 páginas |
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Página 25
... language that the poets had learned , the English language having been dis- covered by them , as it had been discovered by me , to be a declining language , a language that was losing its verbs . " This was eight years after the ...
... language that the poets had learned , the English language having been dis- covered by them , as it had been discovered by me , to be a declining language , a language that was losing its verbs . " This was eight years after the ...
Página 26
Percival Presland Howe. this great virtue , that they could speak the " new language " of the national drama that , in one way and another , soon came to be written for them . By 1902 the little company was able to pay a visit to the St ...
Percival Presland Howe. this great virtue , that they could speak the " new language " of the national drama that , in one way and another , soon came to be written for them . By 1902 the little company was able to pay a visit to the St ...
Página 31
... language . Here , among people filled with the oldest passions of the world , life took on an intensity of clearness that made of Synge a dramatist . Here there came to him the mood , " in which we realise with im- mense distress the ...
... language . Here , among people filled with the oldest passions of the world , life took on an intensity of clearness that made of Synge a dramatist . Here there came to him the mood , " in which we realise with im- mense distress the ...
Página 47
... language for compression , for humanity , and for perfection of form , to put near In the Shadow of the Glen . From the moment of the rise of the curtain on that little Wicklow interior , to its fall - about half an hour - we are let ...
... language for compression , for humanity , and for perfection of form , to put near In the Shadow of the Glen . From the moment of the rise of the curtain on that little Wicklow interior , to its fall - about half an hour - we are let ...
Página 57
... language is again perfect in its aptness to the dramatic intention . The rhythm is now not long and meditative , only checked for a moment of ecstasy or quick decision , like a break in the mist rolling over the hills ; it is checked ...
... language is again perfect in its aptness to the dramatic intention . The rhythm is now not long and meditative , only checked for a moment of ecstasy or quick decision , like a break in the mist rolling over the hills ; it is checked ...
Outras edições - Ver tudo
Palavras e frases frequentes
Abbey Theatre Aran Islands artist Bartley beauty blind Cathleen Celt character Christy comedy comes Conchubor criticism Dan Burke dead Deirdre Deirdre's ditch door Doul and Mary drama dramatist Dublin Emain eyes father feel Fergus fool girl give Glen goes hands happiness hear humour imagination intensity Ireland Irish J. M. Synge Lady Gregory Lavarcham live lonesome look marry Martin Doul Mary Doul Masefield Maurya Michael Byrne Michael James mind Molière Molly Byrne mood moon Naisi never night Nora notebook Old Mahon old woman passion Pegeen Playboy pleasure poet preface priest queer reality Riders Saint Sarah says seen Shakespeare Shawn shebeen sitting sorrow speaks speech stage story Synge's plays takes talk theatre thing Timmy the smith Tinker's Wedding tragedy tragic tramp turned W. B. Yeats walking Western World Wicklow Widow Quin wild women wonder words Yeats young
Passagens conhecidas
Página 14 - What's Hecuba to him or he to Hecuba That he should weep for her? What would he do Had he the motive and the cue for passion That I have?
Página 200 - He rather prays you will be pleased to see One such to-day, as other plays should be ; Where neither chorus wafts you o'er the seas...
Página 97 - When I was writing The Shadow of the Glen some years ago, I got more aid than any learning could have given me from a chink in the floor of the old Wicklow house where I was staying, that let me hear what was being said by the servant girls in the kitchen.
Página 15 - Nor do not saw the air too much with your hand, thus ; but use all gently ; for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
Página 107 - God speed you," but something choked the words in my throat. He went by quickly; and "the blessing of God on you," says he, and I could say nothing. I looked up then, and I crying, at the grey pony, and there was Michael upon it — with fine clothes on him, and new shoes on his feet.
Página 55 - Ah, Nora, isn't it a bitter thing to think of him floating that way to the far north, and no one to keen him but the black hags that do be flying on the sea?
Página 172 - A daring fellow is the jewel of the world, and a man did split his father's middle with a single clout, should have the bravery of ten, so may God and Mary and St. Patrick bless you, and increase you from this mortal day.
Página 68 - Will you look what's come in? [They all drop CHRISTY and run left] CHRISTY [scrambling on his knees face to face with OLD MAHON]. Are you coming to be killed a third time, or what ails you now?
Página 59 - ... would be worth your troubling for to run from now. You did nothing at all. CHRISTY (his feelings hurt}. That's an unkindly thing to be saying to a poor orphaned traveller, has a prison behind him, and hanging before, and hell's gap gaping below. PEGEEN (with a sign to the men to be quiet). You're only saying it. You did nothing at all. A soft lad the like of you wouldn't slit the windpipe of a screeching sow.
Página 51 - It's the same stuff, Nora; but if it is itself aren't there great rolls of it in the shops of Galway, and isn't it many another man may have a shirt of it as well as Michael himself?
Referências a este livro
La saudade en el renacimiento de la literatura gallega Ricardo Landeira Pré-visualização limitada - 1970 |
Toward an Aesthetics of Blindness: An Interdisciplinary Response to Synge ... David Feeney Visualização de excertos - 2007 |