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little top, that it will be likely to stand till it falls from sheer old age. Close to it is another, whose main stem was broken down about five feet from the ground; now, what was the head rests on the earth nine feet away, and a circle of its outspread branches has become a wholesome group of young upright growths, while at the place where the stem broke, the half-opened wrench still shows as clearly as on the day it was done.

Among the many merits of the Juniper, its tenderly mysterious beauty of colouring is by no means the least; a colouring as delicately subtle in its own way as that of cloud or mist, or haze in warm, wet woodland. It has very little of positive green; a suspicion of warm colour in the shadowy hollows, and a bluegrey bloom of the tenderest quality imaginable on the outer masses of foliage. Each tiny, blade-like leaf has a band of dead, palest bluish-green colour on the upper surface, edged with a narrow line of dark green slightly polished; the back of the leaf is of the same full, rather dark green, with slight polish; it looks as if the green back had been brought up over the edge of the leaf to make the dark edging on the upper surface. The stems of the twigs are of a warm, almost foxy colour, becoming darker and redder in the branches. The tips of the twigs curl over or hang out on all sides towards the light, and the "set" of the individual twigs is full of variety. This arrangement of mixed colouring and texture, and infinitely various position of the

spiny little leaves, allows the eye to penetrate unconsciously a little way into the mass, so that one sees as much tender shadow as actual leaf-surface, and this is probably the cause of the wonderfully delicate and, so to speak, intangible quality of colouring. Then, again, where there is a hollow place in a bush, or group, showing a cluster of half-dead stems, at first one cannot tell what the colour is, till with half-shut eyes one becomes aware of a dusky and yet luminous purple-grey.

The merits of the Juniper are not yet done with, for throughout the winter (the time of growth of moss and lichen) the rugged-barked old stems are clothed with loveliest pale-green growths of a silvery quality. Standing before it, and trying to put the colour into words, one repeats, again and again, pale-green silverpalest silvery green! Where the lichen is old and dead it is greyer; every now and then there is a touch of the orange kind, and a little of the branched staghorn pattern so common on the heathy ground. Here and there, as the trunk or branch is increasing in girth, the silvery, lichen-clad, rough outer bark has parted, and shows the smooth, dark-red inner bark; the outer covering still clinging over the opening, and looking like grey ribands slightly interlaced. Many another kind of tree-stem is beautiful in its winter dress, but it is difficult to find any so full of varied beauty and interest as that of the Juniper; it is one of the yearly feasts that never fails to delight and satisfy.

CHAPTER IV

MARCH

Flowering bulbs-Dog-tooth Violet -- Rock-garden - Variety of Rhododendron foliage-A beautiful old kind-Suckers on grafted plants-Plants for filling up the beds-Heaths-Andromedas - Lady Fern-Lilium auratum - Pruning Roses— Training and tying climbing plants-Climbing and free-growing Roses--The Vine the best wall-covering-Other climbers— Wild Clematis-Wild Rose.

IN early March many and lovely are the flowering bulbs, and among them a wealth of blue, the more precious that it is the colour least frequent among flowers. The blue of Scilla sibirica, like all blues that have in them a suspicion of green, has a curiously penetrating quality; the blue of Scilla bifolia does not attack the cye so smartly. Chionodoxa sardensis is of a full and satisfying colour, that is enhanced by the small space of clear white throat. A bed of it shows very little variation in colour. Chionodoxa Lucilia, on the other hand, varies greatly; one may pick out light and dark blue, and light and dark of almost lilac colour. The variety C. gigantea is a fine plant. There are some pretty kinds of Scilla bifolia that were raised by the Rev. J. G. Nelson of Aldborough, among them a tender

flesh-colour and a good pink. Leucojum vernum, with its clear white flowers and polished dark-green leaves, is one of the gems of early March; and, flowering at the same time, no flower of the whole year can show a more splendid and sumptuous colour than the purple of Iris reticulata. Varieties have been raised, some larger, some nearer blue, and some reddish purple, but the type remains the best garden flower. Iris stylosa, in sheltered nooks open to the sun, when well established, gives flower from November till mid-April, the strongest rush of bloom being about the third week in March. It is a precious plant in our southern counties, delicately scented, of a tender and yet full lilac-blue. The long ribbon-like leaves make handsome tufts, and the sheltered place it needs in our climate saves the flowers from the injury they receive on their native windy Algerian hills, where they are nearly always torn into tatters.

What a charm there is about the common Dogtooth Violet; it is pretty everywhere, in borders, in the rock-garden, in all sorts of corners. But where it looks best with me is in a grassy place strewn with dead leaves, under young oaks, where the garden joins the copse. This is a part of the pleasure-ground that has been treated with some care, and has rewarded thought and labour with some success, so that it looks less as if it had been planned than as if it might have come naturally. At one point the lawn, trending gently upward, runs by grass paths into a rock-garden, planted

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mainly with dwarf shrubs. Here are Andromedas. Pernettyas, Gaultherias, and Alpine Rhododendron, and with them three favourites whose crushed leaves give a grateful fragrance, Sweet Gale, Ledum palustre, and Rhododendron myrtifolium. The rock part is unobtrusive; where the ground rises rather quickly are a couple of ridges made of large, long lumps of sandstone, half buried, and so laid as to give a look of natural stratification. Hardy Ferns are grateful for the coolness of their northern flanks, and Cyclamens are happy on the ledges. Beyond and above is the copse, or thin wood of young silver Birch and Holly, in summer clothed below with bracken, but now bristling with the bluish spears of Daffodils and the buds that will soon burst into bloom. The early Pyrenean Daffodil is already out, gleaming through the lowtoned copse like lamps of pale yellow light. Where the rough path enters the birch copse is a cheerfully twinkling throng of the Dwarf Daffodil (N. nanus), looking quite at its best on its carpet of moss and fine grass and dead leaves. The light wind gives it a graceful, dancing movement, with an active spring about the upper part of the stalk. Some of the heavier trumpets not far off answer to the same wind with only a ponderous, leaden sort of movement.

Farther along the garden joins the wood by a plantation of Rhododendrons and broad grassy paths, and farther still by a thicket of the free-growing Roses, some forming fountain-like clumps nine paces in dia

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