"Know then that, after Lucifer from Heaven " Fell with his flaming legions through the Deep 'I can repair That detriment, if such it be to lose And Earth be changed to Heaven, and Heaven In A very important point of divergence between the two poems occurs in this part of the narrative. Cadmon it is the Deity, who with celestial majesty, goes forth into Chaos to create the Universe; and in this, the poet is in perfect accord with both accounts of the Creation comprised in the first two chapters of the book Genesis: Here the eternal Lord, Head of creation, The sky upreared, and this fair spacious Earth Milton, on the other hand, with his peculiar anthropomorphic ideas of the divine Paternity, represents the Father as commissioning His Son, as a celestial subject or prime minister, to accomplish His behests: "And thou my Word, begotten Son, by thee We do not bring this forward from a theological standpoint, but from a purely poetical point of view. It seems to us to mar the dignity of the theme, for the Omnipotent to send forth an inferior, although delegated with sovereign power to perform the marvels of such almightiness. It is in this connection, that there occurs that fine passage, to which we have before alluded, in which Cadmon describes primeval Chaos : As yet, was nought beneath God's radiant Throne But gloom as dark as in the cavern reigns, In idle uselessness, distasteful sight To Him the source of all-creative power. Of blackest Night, beneath the effulgent glow Of Light ineffable; till by the Word And fiat of the King this World appeared. The thought is the same in Milton. As the Son, accompanied by the angelic hosts, approaches the bounds of the Empyrean, Heaven opened wide Her ever-during gates, harmonious sound On Heavenly ground they stood, and from the shore Having passed in celestial state, Far into Chaos and the World unborn; the Vicegerent of the Almighty, Then stayed the fervid wheels, and in his hand In God's eternal store, to circumscribe In drawing their grand, poetic panorama of Creation, both Cadmon and Milton follow so closely the well-known artistic lines of the Hebrew cosmogony, |