The InfernoPenguin, 01/06/2001 - 320 páginas Belonging in the immortal company of the works of Homer, Virgil, Milton, and Shakespeare, Dante Alighieri’s poetic masterpiece is a visionary journey that takes readers through the torment of Hell. The first part of Dante’s Divine Comedy is many things: a moving human drama, a supreme expression of the Middle Ages, a glorification of the ways of God, and a magnificent protest against the ways in which men have thwarted the divine plan. One of the few literary works that has enjoyed a fame both immediate and enduring, The Inferno remains powerful after seven centuries. It confronts the most universal values—good and evil, free will and predestination—while remaining intensely personal and ferociously political, for it was born out of the anguish of a man who saw human life blighted by the injustice and corruption of his times. Translated by John Ciardi With an Introduction by Archibald T. MacAllister and an Afterword by Edward M. Cifelli |
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... God, but it is also a sharp and great-minded protest at the ways in which men have thwarted the divine plan. This plan, as Dante conceived it, was very different from the typically medieval view, which saw the earthly life as a “vale of ...
... God, but it is also a sharp and great-minded protest at the ways in which men have thwarted the divine plan. This plan, as Dante conceived it, was very different from the typically medieval view, which saw the earthly life as a “vale of ...
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... rather like two equal suns, each dependent only on God and designed to guide man toward his two goals: peace and happiness in this world and spiritual salvation in the next. “To these states of blessedness, just as to diverse conclusions,
... rather like two equal suns, each dependent only on God and designed to guide man toward his two goals: peace and happiness in this world and spiritual salvation in the next. “To these states of blessedness, just as to diverse conclusions,
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... God. Even the rhyme scheme itself is the terza rima or “third rhyme” which Dante invented for his purpose. There are other symmetries and correspondences, but this should suffice to demonstrate that Dante planned his own creation in as ...
... God. Even the rhyme scheme itself is the terza rima or “third rhyme” which Dante invented for his purpose. There are other symmetries and correspondences, but this should suffice to demonstrate that Dante planned his own creation in as ...
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... God. Virgil offers to guide Dante, but only as far as Human Reason can go. Another guide (BEATRICE, symbol of DIVINE LOVE) must take over for the final ascent, for Human Reason is self-limited. Dante submits himselfjoyously to Virgil's ...
... God. Virgil offers to guide Dante, but only as far as Human Reason can go. Another guide (BEATRICE, symbol of DIVINE LOVE) must take over for the final ascent, for Human Reason is self-limited. Dante submits himselfjoyously to Virgil's ...
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... God's grace. How I came to it I cannot rightly say, so drugged and loose with sleep had I become when I first wandered there from the True Way. But at the far end of that valley of evil whose maze had sapped my very heart with fear! I ...
... God's grace. How I came to it I cannot rightly say, so drugged and loose with sleep had I become when I first wandered there from the True Way. But at the far end of that valley of evil whose maze had sapped my very heart with fear! I ...
Índice
Limbo | |
CIRCLE | |
CIRCLE THREE | |
CIRCLE FOUR | |
Round | |
Round Three | |
Round Three | |
Round Three | |
Round Three | |
CIRCLE EIGHT Malebolge | |
Bolgia Three | |
Bolgia Four | |
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Palavras e frases frequentes
already answered appears arms bank beast began blood body Bolgia born called Canto certainly changed CIRCLE course cried cross damned Dante Dante’s dark dead death descend died Divine earth EIGHT eternal evil eyes face fact fall father fear feet fell fire flame Florence Florentine follow Friar gate Guide Guido hand head hear heart Heaven Hell human Italian Italy King lead leave lies light living look Master means mind moved nature never Notes once pain pass passage Poets punished raised reached reason replied river round seemed seen shade side sight sinners soul speak spirit stand stood sweet symbolic tears tell thought turned Violent Virgil walk walls wish wood wrath