The Liberated Gospel: A Comparison of the Gospel of Mark and Greek TragedyWipf and Stock Publishers, 01/05/2010 - 160 páginas It is generally agreed that Mark's Gospel was the first to have been written and that the Markan narrative created a literary form that inspired Matthew, Luke, and to a lesser extent, John to follow suit with the writing of their own gospels. But where did Mark go to find a framework that would shape his story? This question has been debated for more than two centuries. Several theories have been propounded but none without sufficient evidence to gain broad acceptance. It is the thesis of this book that Mark drew on the Greek tragedy, the most suitable literary genre of his time, to organize the oral and written traditions that he had collected. The Greek tragic genre had been created with the works of the great masters of the Fifth Century BC, and later, had been codified by Aristotle. The extraordinary points of congruence between the form of the Gospel and the canons of Greek drama are carefully explored in the Liberated Gospel. The compelling conclusion is that there is a relation of dependency whereas Mark used the form of Greek tragedy as a template without compromising the integrity of the story. As the title of the book suggests, the use of ancient tragedy by Mark served also another purpose. The Gospel was being written at a time during the early history of the church when its Judaistic faction attempted to impose the requirements of the Mosaic law on Gentile believers (as attested by Galatians and the Council of Jerusalem). By telling the very Jewish but universally relevant story of Jesus in the mode of the supreme Gentile literary genre of antiquity, Mark was proclaiming the manifesto that the gospel of Christ was not the exclusive property of a narrow ethnic group but that it belonged to all humanity. |
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Página 14
... intended to write a sequential and progressive narration. The examination of redactorial features such as summaries, links (or seams), consecution, and groupings indicate that the author was not just copying stories but that he was ...
... intended to write a sequential and progressive narration. The examination of redactorial features such as summaries, links (or seams), consecution, and groupings indicate that the author was not just copying stories but that he was ...
Página 15
... intended lies in the final form of his work.” “The Markan Silhouette,” p. 186. Eduard Schweizer wrote, “The particular message which Mark is endeavoring to express will be found, for the most part, in this very 'framework' and in the ...
... intended lies in the final form of his work.” “The Markan Silhouette,” p. 186. Eduard Schweizer wrote, “The particular message which Mark is endeavoring to express will be found, for the most part, in this very 'framework' and in the ...
Página 28
... intended function, they remain distinct. But they coincide at crucial points. They both manifest a preoccupation with the serious and profound questions of life, and they propose answers that take for granted the relevance of a moral ...
... intended function, they remain distinct. But they coincide at crucial points. They both manifest a preoccupation with the serious and profound questions of life, and they propose answers that take for granted the relevance of a moral ...
Página 30
... intended to be an address, a proclamation that 're-presents' Jesus. In other words, in writing his Gospel Mark created a literary type that is unique.”60 Wilder also recognized that the Gospel stands in lieu of a representation: “Mark ...
... intended to be an address, a proclamation that 're-presents' Jesus. In other words, in writing his Gospel Mark created a literary type that is unique.”60 Wilder also recognized that the Gospel stands in lieu of a representation: “Mark ...
Página 36
... intended to regulate the works of his own day. Otherwise Aristotle's undertaking would have been quite pointless. Consequently, references will be made to the Poetics later in this study with the understanding that in the Poetics ...
... intended to regulate the works of his own day. Otherwise Aristotle's undertaking would have been quite pointless. Consequently, references will be made to the Poetics later in this study with the understanding that in the Poetics ...
Índice
9 | |
33 | |
Complication and Crisis | 51 |
Denouement | 79 |
Other Dramatic Features | 107 |
Conclusion | 139 |
General Index 1 53 | 153 |
Outras edições - Ver tudo
The Liberated Gospel: A Comparison of the Gospel of Mark and Greek Tragedy Gilbert Bilezikian Pré-visualização limitada - 2010 |
The Liberated Gospel: A Comparison of the Gospel of Mark and Greek Tragedy Gilbert G. Bilezikian Visualização de excertos - 1977 |
Palavras e frases frequentes
According to Mark action Aeschylus Aeschylus’s ancient appears Aristotle Aristotle’s Art ofPoetry authority Caesarea Philippi century character chorus Christ Christian church classical complication constitutes contemporary criticism crowd death deeds denouement described destiny disciples divine dramatic element eschatological Euripides evangelist fact faith first followed fulfillment Galilee Gentile God’s Gospel of Mark Greek drama Greek tragedy H. D. F. Kitto healing Ibid identity intended interpreted Jerusalem Jewish Jews John John’s Judaism kingdom leaders literary literature Luke Marcan Mark’s Mark’s Gospel ment messenger messiahship messianic ministry of Jesus miracle mission motifs mystery narration narrative Oedipus Oedipus the King parables passion pattern performances Peter Pharisees play plot prediction present recognized reference reflected regard religious result resurrection revealed Roman Rome sabbath scene scribes seems Seneca’s sign from heaven Sophocles spirit stage story suffering supernatural teaching temple Testament theater themes tion tradition Tragic Drama tragic hero word writing