Macbeth: Second EditionManchester University Press, 08/04/2004 - 242 páginas In this expanded analysis of Macbeth in performance, Bernice W. Kliman examines a number of major productions of the play on stage and screen, inviting the reader to contemplate and compare directors' and actors' choices for what is arguably Shakespeare's most compelling play. Kliman's in-depth analysis of Orson Welles's 1948 film version as well as his earlier stage production, Roman Polanski's famous film, and several different television versions from America and Britain offers an invaluable guide to the most prominent performances across a range of media. She also considers Yukio Ninagawa's staging, which provides an exciting and novel Japanese perspective on the play for Western audiences. |
Índice
The protagonists and the production | 1 |
learn from Verdi GRAHAM BRADSHAW | 44 |
chiasmus | 62 |
Direitos de autor | |
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Palavras e frases frequentes
action actors ambition appear audience audience's banquet scene Banquo beginning Betterton camera castle cauldron scene character characterisation cherry blossoms chiasmus closeup contrast costumes dagger death director Donalbain dramatic effect Evans evil face fear film Fleance Garrick gesture ghost hands Hecate I.iii Ian McKellen II.ii III.vi images interpretation IV.i Jane Lapotaire Japanese Judi Dench kill Duncan kimono king Kurosawa Lady Macbeth Lady Macduff Laurence Olivier Lenox lines look Macbeth and Banquo Macbeth and Lady Macready Malcolm move Nicol Williamson Ninagawa Nunn Nunn's Olivier's opera performance play's Polanski Porter promptbook prophecy reviewers role Rosse says Scotland screens seems Seyton Shakespeare Shakespeare's play shots Siddons singing Sisters sleepwalking sleepwalking scene society soliloquy speaks speech stage production Stratford-upon-Avon suggests supernatural television thanes Theatre theatrical thought Throne of Blood tion tragedy Trevor Nunn Verdi Verdi's visual Vivien Leigh Vodou voice Voodoo Washizu Welles's wife women