Women Performing Music: The Emergence of American Women as Classical Instrumentalists and Conductors
McFarland, 01/12/2000 - 215 páginas
This book explores the experiences of women from the late nineteenth and early twentieth centuries who pursued careers as public performers, charting a new course in an era when women’s musical activities were generally consigned to the parlor. Certain instruments had historically evolved as “appropriate for women,” and the flamboyant personalities and extroverted emotionalism of Romantic virtuosos and conductors were the antithesis of those qualities traditionally admired in women. However, this work presents an unusual group of young women who nonetheless became noted virtuosos, studying abroad as teenagers and touring North America upon their return. Detailed profiles are given of three remarkable musicians from among that unusual group: Fannie Bloomfield-Zeisler (1863–1927)—virtuoso pianist, wife and mother; Ethel Leginska (1886–1970)—pianist, conductor, and 1920s “new woman”; and Antonia Brico (1902–1989)—conductor and transitional figure to the late twentieth century. A concluding chapter contrasts the experiences of women classical musicians in the late nineteenth and the late twentieth centuries. Included are a number of photographs and drawings which impart the perceptions of audiences and critics of the stage presence of these performers.
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Alsop American Music Amy Fay Antonia Brico appearance April artist audience band Beethoven began Berlin Bloomfield-Zeisler's Boston Camilla Urso career century Chicago Chopin cities clipping composer concert conductor Conservatory critic debut December described dress early ensembles Ethel Leginska Europe European Falletta Fannie Bloomfield Fannie Bloomfield Zeisler Fannie Bloomfield-Zeisler FBZ-AJA February female gender girls guest conductor husband Ibid Ignace Paderewski included instrument instrumentalists January JoAnn Falletta Julie Rive-King Leginska Conducts Leginska scrapbooks Leschetizky Liszt Louis Moreau Gottschalk male March Marin Alsop Maud Powell mother musi music student Musical America Musical Courier nineteenth nineteenth-century November NYPL Olga Samaroff Opera orches Paderewski performance Philharmonic pianist piano players playing prominent recital rehearsal reported reviewer Rubinstein season Sigmund Zeisler solo soloists stage Stokowski success SZ-AJA talent teacher Teresa Carreno tion tour train University Press Vienna violin violinist virtuosos wanted woman women musicians women's orchestra Women's Symphony wrote York young