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like Henri IV., Sully, St. Pierre, or Kant, have dreamed of a world without wars, but those who have dreamed of wars waged without lawlessness, passion, or crime. On them be thrown back the taunts of Utopianism which they have showered so long on the only view of the matter which is really logical and consistent. On them, at least, rests the shadow, and must rest the reproach, of an egregious failure, unless recent wars are of no account and teach no lesson. And if their failure be real and signal, what remains for those who wish for better things, and for some check on deeds that threaten our civilisation, but to turn their backs on the instructors they once trusted ; to light their fires rather than to load their shelves with Grotius, Vattel, and the rest; and to throw in their lot for the future with the opinion, hitherto despised, though it was Kant's, and the endeavour hitherto discredited, though it was Henry the Great's, Sully's, and Elizabeth's—the opinion, that is, that it were easier to abolish war than to humanise it, and that only in the growth of a spirit of international confidence lies any possible hope of its ultimate extinction?

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CHAPTER II.

WARFARE IN CHIVALROUS TIMES.

Voi m' avete fatto tornare quest' arte del soldo quasi che nulla, ed io ne l' aveva presupposta la più eccellente e la più onorevole che si facesse.-MACHIAVELLI, Dell' Arte della Guerra.

Delusion about character of war in days of chivalry-The common slaughter of women and children—The Earl of Derby's sack of Poitiers-The massacres of Grammont and Gravelines-The old poem of the Vow of the Heron-The massacre of Limoges by Edward the Black Prince-The imprisonment of ladies for ransom -Prisoners of war starved to death; or massacred, if no prospect of ransom; or blinded or otherwise mutilated—The meaning of a surrender at discretion, as illustrated by Edward III. at Calais; and by several instances in the same and the next century-The practice of burning in aid of war; and of destroying sacred buildings-The practice of poisoning the air-The use of barbarous weapons-The influence of religion on war-The Church in vain on the side of peace-Curious vows of the knights-The slight personal danger incurred in war by them--The explanation of their magnificent costume-Field-sports in war-time-The desire of gain the chief motive to war-The identity of soldiers and brigandsThe career and character of the Black Prince—The place of money in the history of chivalry-Its influence as a war-motive between England and France-General low character of chivalrous warfare.

FOR an impartial estimate of the custom of war, the best preparation is a study of its leading features in the days of chivalry. Not only are most of our modern military usages directly descended from that period, though many claim a far remoter ancestry, and

go back to the days of primitive savagery, but it is the tradition of chivalry that chiefly keeps alive the delusion that it is possible for warfare to be conducted with humanity, generosity, and courtesy.

Hallam, for instance, observes that in the wars of our Edward III., 'the spirit of honourable as well as courteous behaviour towards the foe seems to have arrived at its highest point;' and he refers especially to the custom of ransoming a prisoner on his parole, and to the generous treatment by the Black Prince of the French king taken captive at Poitiers.

In order to demonstrate the extreme exaggeration of this view, and to show that with war, as with the greater crimes, moral greatness is only connected accidentally, occasionally, or in romance, it is necessary to examine somewhat closely the warfare of the fourteenth century. Chivalry, according to certain historians, was during that century in process of decline; but the decline, if any, was rather in the nature of its forms and ceremonies than of its spirit or essence. It was the century of the most illustrious names in chivalry, in France of Bertrand du Guesclin, in England of the Black Prince, Sir Walter Manny, Sir John Chandos. It was the century of the battles of Crecy, Poitiers, Avray, and Navarette. It was the century of the Order of the Star in France, of the Garter and the Bath in England. Above all, it was the century of Froissart, who painted its manners and thoughts with a vividness so surpassing that to read his pages is almost to live in his time. So that the fourteenth century may fairly be taken as the period in which chivalry reached its highest perfection, and

in which the military type of life and character attained its noblest development. It is the century of which we instinctively think when we would imagine a time when the rivalry of brave deeds gave birth to heroism, and the rivalry of military generosity invested even the cruelties of the battle-field with the halo of

romance.

Imagination, however, plays us false here as elsewhere. Froissart himself, who described wars and battles and noble feats of arms with a candour equal to his honest delight in them, is alone proof enough that there seldom was a period when war was more ferociously conducted; when the laws in restraint of it, imposed by the voice of morality or religion, were less felt; when the motives for it as well as the incentives of personal courage, were more mercenary; or when the demoralisation consequent upon it were more widely or more fatally spread. The facts that follow in support of this conclusion come, in default of any other special reference, solely from that charming chronicler; allusions to other sources being only necessary to prove the existence of a common usage, and to leave no room for the theory that the cases gathered from Froissart were but occasional or accidental occurrences.

Even savage tribes, like the Zulus, spare the lives of women and children in war, and such a restraint is the first test of any warfare claiming to rank above the most barbarous. But in the fourteenth century such indiscriminate slaughter was the commonest episode of war: a fact not among the least surprising when we remember that the protection of women and the

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defenceless was one of the special clauses of the oath taken by knights at the ceremony of investiture. Five days after the death of Edward III., and actually during negotiations between France and England, the admirals of France and Spain, at the command of the King of France, sailed for Rye, which they burnt, slaying the inhabitants, whether men or women (1377); and it is a reasonable supposition that the same conduct marked their further progress of pillage and incendiarism in the Isle of Wight.

Nor were such acts only the incidents of maritime warfare, and perpetrated merely by the pirates of either country; for they occurred as frequently in hostilities by land, and in connection with the noblest names of Christendom. At Taillebourg, in Saintonge, the Earl of Derby had all the inhabitants put to the sword, in reprisals for the death of one knight, who during the assault on the town had met with his death. So it fared during the same campaign with three other places in Poitou, the chronicler giving us more details with reference to the fate of Poitiers. There were no knights in the town accustomed to war and capable of organising a defence; and it was only people of the poorer sort who offered a brave but futile resistance to the army. When the town was won, 700 people were massacred; for the Earl's people put every one to the sword, men, women, and little children.' The Earl of Derby took no steps to stop the slaughter, but after many churches and houses had been destroyed, he forbade under pain of death any further incendiarism, apparently for no other reason than that he wished to stay there for

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