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A kinder name than that of vanity ought to be given to the delicacy with which he was always careful to separate his own merit from every other man's, and to reject that praise to which he had no claim. He did not forget, in mentioning his performances, to mark every line that had been suggested or amended; and was so accurate, as to relate that he owed three words in The Wanderer to the advice of his friends.

His veracity was questioned, but with little reason; his accounts, though not indeed always the same, were generally consistent. When he loved any man, he suppressed all his faults; and, when he had been offended by him, concealed all his virtues: but his characters were generally true, so far as he proceeded; though it cannot be denied, that his partiality might have sometimes the effect of falsehood.

In cases indifferent, he was zealous for virtue, truth, and justice: he knew very well the necessity of goodness to the present and future happiness of mankind; nor is there perhaps any writer who has less endeavoured to please by flattering the appetites, or perverting the judgment.

As an author, therefore, (and he now ceases to influence mankind in any other character), if one piece which he had resolved to suppress be excepted, he has very little to fear from the strictest moral or religious censure. And, though he may not be altogether secure against the objections of the critic, it must however be acknowledged, that his works are the productions of a genius truly poetical; and, what many writers who have been more lavishly applauded cannot boast, that they have an original air, which has no resemblance of any foregoing writer; that the versification and sentiments have a cast peculiar to themselves, which no man can imitate with success, because what was nature in Savage would in another be affectation. It must be confessed, that his descriptions are striking, his images animated, his fictions justly imagined, and his allegories artfully pursued; that his diction is elevated, though sometimes forced, and his numbers sonorous and majestic, though frequently sluggish and encumbered. Of his style, the general fault is harshness, and its general excellence is

dignity; of his sentiments, the prevailing beauty is sim plicity, and uniformity the prevailing defect.

For his life, or for his writings, none, who candidly con sider his fortune, will think an apology either necessary or difficult. If he was not always sufficiently instructed in his subject, his knowledge was at least greater than could have been attained by others in the same state. If his works were sometimes unfinished, accuracy cannot reasonably be expected from a man oppressed with want, which he has no hope of relieving but by a speedy publication. The insolence and resentment, of which he is accused, were not easy to be avoided by a great mind, irritated by perpetual hardships, and constrained hourly to return the spurns of contempt, and repress the insolence of prosperity; and vanity may surely be readily pardoned in him, to whom life afforded no other comforts than barren praises, and the consciousness of deserving them.

Those are no proper judges of his conduct who have slumbered away their time on the down of plenty; nor will any wise man presume to say, "Had I been in Savage's condition, I should have lived or written better than Savage."

This relation will not be wholly without its use, if those, who languish under any part of his sufferings, shall be enabled to fortify their patience, by reflecting that they feel only those afflictions from which the abilities of Savage did not exempt him; or those who, in confidence of superior capacities or attainments, disregard the common maxims of life, shall be reminded, that nothing will supply the want of prudence; and that negligence and irregularity, long continued, will make knowledge useless, wit ridiculous, and genius contemptible.

159

SWIFT.

AN account of DR. SWIFT has been already collected, with great diligence and acuteness, by dr. Hawkesworth, according to a scheme which I laid before him in the intimacy of our friendship. I cannot therefore be expected to say much of a life, concerning which I had long since communicated my thoughts to a man capable of dignifying his narrations with so much elegance of language and force of sentiment.

JONATHAN SWIFT was, according to an account said to be written by himself, the son of Jonathan Swift, an attorney, and was born at Dublin on St. Andrew's day, 1667: according to his own report, as delivered by Pope to Spence, he was born at Leicester, the son of a clergyman, who was minister of a parish in Herefordshire.* During his life, the place of his birth was undetermined. He was contented to be called an Irishman by the Irish; but would occasionally call himself an Englishman. The question may, without much regret, be left in the obscurity in which he delighted to involve it.

'Whatever was his birth, his education was Irish. He was sent at the age of six to the school of Kilkenny, and in his fifteenth year (1682) was admitted into the university of Dublin.

In his academical studies he was either not diligent or not happy. It must disappoint every reader's expectation, that, when at the usual time he claimed the bachelorship of arts, he was found by the examiners too conspicuously deficient for regular admission, and obtained his degree at last by special favour; a term used in that university to denote want of merit.

Of this disgrace it may be easily supposed that he was much ashamed, and shame had its proper effect in pro* Spence's Anecdotes, vol. 2. p. 273.

ducing reformation. He resolved from that time to study eight hours a-day, and continued his industry for seven years, with what improvement is sufficiently known. This part of his story well deserves to be remembered; it may afford useful admonition and powerful encouragement to men whose abilities have been made for a time useless by their passions or pleasures, and who, having lost one part of life in idleness, are tempted to throw away the remainder in despair.

In this course of daily application he continued three years longer at Dublin; and in this time, if the observation and memory of an old companion may be trusted, he drew the first sketch of his Tale of a Tub.

When he was about one-and-twenty, (1688), being, by the death of Godwin Swift his uncle, who had supported him, left without subsistence, he went to consult his mother, who then lived at Leicester, about the future course of his life; and by her direction solicited the advice and patronage of sir William Temple, who had married one of mrs. Swift's relations, and whose father, sir John Temple, master of the rolls in Ireland, had lived in great familiarity of friendship with Godwin Swift, by whom Jonathan had been to that time maintained.

Temple received with sufficient kindness the nephew of his father's friend, with whom he was, when they conversed together, so much pleased, that he detained him two years in his house. Here he became known to king William, who sometimes visited Temple when he was disabled by the gout, and, being attended by Swift in the garden, shewed him how to cut asparagus in the Dutch way.

King William's notions were all military; and he expressed his kindness to Swift by offering to make him a captain of horse.

When Temple removed to Moor-park, he took Swift with him; and when he was consulted by the earl of Portland about the expedience of complying with a bill then depending for making parliaments triennial, against which king William was strongly prejudiced, after having in vain tried to shew the earl that the proposal involved nothing. dangerous to royal power, he sent Swift for the same pur

pose to the king. Swift, who probably was proud of his employment, and went with all the confidence of a young man, found his arguments, and his art of displaying them, made totally ineffectual by the predetermination of the king; and used to mention this disappointment as his first antidote against vanity.

Before he left Ireland, he contracted a disorder, as he thought, by eating too much fruit. The original of diseases is commonly obscure. Almost every boy eats as much fruit as he can get, without any great inconvenience. The disease of Swift was giddiness with deafness, which attacked him from time to time, began very early, pursued him through life, and at last sent him to the grave, deprived of

reason.

Being much oppressed at Moor-park by this grievous malady, he was advised to try his native air, and went to Ireland; but, finding no benefit, returned to sir William, at whose house he continued his sudies, and is known to have read, among other books, Cyprian and Irenæus. He thought exercise of great necessity, and used to run half a mile up and down a hill every two hours.

It is easy to imagine, that the mode in which his first degree was conferred, left him no great fondness for the university of Dublin, and therefore he resolved to become a master of arts at Oxford. In the testimonial which he produced, the words of disgrace were omitted; and he took his master's degree (July 5, 1692) with such reception and regard as fully contented him.

While he lived with Temple, he used to pay his mother at Leicester a yearly visit. He travelled on foot, unless some violence of weather drove him into a waggon; and at night he would go to a penny lodging, where he purchased clean sheets for sixpence. This practice lord Orrery imputes to his innate love of grossness and vulgarity: some may ascribe it to his desire of surveying human life through all its varieties; and others, perhaps with equal probability, to a passion which seems to have been deeply fixed in his heart, the love of a shilling.

In time he began to think that his attendance at Moorpark deserved some other recompence than the pleasure,

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