Focus on MacbethJohn Russell Brown Routledge, 13/09/2013 - 272 páginas First published in 1982. Macbeth exercises a strange influence over readers and theatre audiences: the words of the text offer no easy clue to meaning or significance and in dramatic structure the play is very different from other Shakespearean tragedies. Many kinds of study are needed in order to understand the tragedy of Macbeth and this book provides a wide range of studies that respect the individuality of the text and examine it from different viewpoints. Contents include: Themes and Structure; Characterization and Narrative, Visual Effects, Performance in the Eighteenth, Nineteenth and Twentieth Centuries; Historical and Political Background; Role of Witchcraft; Game Theory. Contributors include: John Russell Brown, Derek Russell Davis, Gareth Lloyd Evans, R A Foakes, Michael Goldman, Robin Grove, Peter Hall, Michael Hawkins, Brian Morris, D J Palmer, Marvin Rosenberg and Peter Stallybrass. |
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... 'become' a man to do? In one sense this suggests actions that grace a man, as in the penitent death of Cawdor, Nothing in his life Became him like the leaving it. (I.iv.7–8) At the same time Macbeth's words raise a question about.
... 'become' a man to do? In one sense this suggests actions that grace a man, as in the penitent death of Cawdor, Nothing in his life Became him like the leaving it. (I.iv.7–8) At the same time Macbeth's words raise a question about.
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... Cawdor , is immediately fulfilled , what they say might rather prompt him to sit tight than to plot to murder the King . Whatever it is that tempts Macbeth to do the deed is in himself and in his wife . And yet , hard on receiving ...
... Cawdor , is immediately fulfilled , what they say might rather prompt him to sit tight than to plot to murder the King . Whatever it is that tempts Macbeth to do the deed is in himself and in his wife . And yet , hard on receiving ...
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... Cawdor : the Weird Sisters have told two truths - he is Thane of Glamis ' by Sinel's death ' ( I.iii.71 ) , and Thane of Cawdor because the previous holder of the title has just been executed . Shake- speare omits to tell his audience ...
... Cawdor : the Weird Sisters have told two truths - he is Thane of Glamis ' by Sinel's death ' ( I.iii.71 ) , and Thane of Cawdor because the previous holder of the title has just been executed . Shake- speare omits to tell his audience ...
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... Cawdor ! Greater than both , by the all - hail hereafter ! ( I.v.52-3 ) She has indeed been ' transported ' beyond the present , and feels ' The future in the instant ' , as if she were a wizard ; so she has no thought of him as a man ...
... Cawdor ! Greater than both , by the all - hail hereafter ! ( I.v.52-3 ) She has indeed been ' transported ' beyond the present , and feels ' The future in the instant ' , as if she were a wizard ; so she has no thought of him as a man ...
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... Cawdor , Nothing in his life Became him like the leaving it . ( I.iv.7-8 ) At the same time Macbeth's words raise a question about the limits of human action ; at what point should daring stop ? Daring is what Macbeth is known for , as ...
... Cawdor , Nothing in his life Became him like the leaving it . ( I.iv.7-8 ) At the same time Macbeth's words raise a question about the limits of human action ; at what point should daring stop ? Daring is what Macbeth is known for , as ...
Índice
7 | |
The kingdom the power and the glory | 30 |
visual effects in Macbeth | 54 |
Macbeth and Lady Macbeth in the eighteenth | 73 |
194680 at StratforduponAvon | 87 |
Multiplying villainies of nature | 113 |
History politics and Macbeth | 155 |
Macbeth and witchcraft | 189 |
Hurt minds | 210 |
Directing Macbeth | 231 |
Afterword | 249 |
Index | 255 |
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Palavras e frases frequentes
action actor ambiguity ambition appearance attempt audience Banquo becomes begins beliefs blood bring called Cawdor character comes course critics crown dagger death deed doubt drama Duncan effect Elizabethan England English evil experience expression face fact fear feel final further ghost given gives going hand head Holinshed horror human husband ideas imagination important interest issue James killing kind king Lady Macbeth later less lines living look Macduff Malcolm means mind moral movement murder nature never opening particular performance perhaps play political present production question reality relation role royal scene seems seen sense Shake Shakespeare significant society soliloquy speak speech stage success suggestion Thane theatre thing thou thought tragedy turn visual wife witchcraft witches woman women