"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
No interior do livro
Resultados 1-3 de 52
Página 335
... Introd . 28 ; Vaughan and Vaughan 66 ; and Holland xxxvi - vii . Barton at the same time indicates the limitations of his magic ( see Introd . 28-29 ) . Vaughan and Vaughan briefly state on the nature of Prospero's art : " The roots of ...
... Introd . 28 ; Vaughan and Vaughan 66 ; and Holland xxxvi - vii . Barton at the same time indicates the limitations of his magic ( see Introd . 28-29 ) . Vaughan and Vaughan briefly state on the nature of Prospero's art : " The roots of ...
Página 362
... Introd . 15 ) . She additionally impersonates several identities : " the moon , Selene ; the classical god- dess Artemis or Diana ( from ' Cynthus ' , a mountain in Delos , supposed home of Artemis and Apollo ) ; Queen Elizabeth ; and ...
... Introd . 15 ) . She additionally impersonates several identities : " the moon , Selene ; the classical god- dess Artemis or Diana ( from ' Cynthus ' , a mountain in Delos , supposed home of Artemis and Apollo ) ; Queen Elizabeth ; and ...
Página 394
... introd . Günter Jerouschek . Eng . trans of introd . by Sabine Lohr . Rechtsgeschichte , Zivilisationsprozeß , Psychohistorie : Quellen und Studien 1. Hildesheim : Olms , 1992 . — The Malleus maleficarum of Heinrich Kramer and James ...
... introd . Günter Jerouschek . Eng . trans of introd . by Sabine Lohr . Rechtsgeschichte , Zivilisationsprozeß , Psychohistorie : Quellen und Studien 1. Hildesheim : Olms , 1992 . — The Malleus maleficarum of Heinrich Kramer and James ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women