"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
No interior do livro
Resultados 1-3 de 36
Página 38
... called in by their severall names ... " . 98 Almost any animal that was found near the home of a witch could theoretically be a demon . Neither its size nor its natural harmlessness prevented many people from suspecting that it was only ...
... called in by their severall names ... " . 98 Almost any animal that was found near the home of a witch could theoretically be a demon . Neither its size nor its natural harmlessness prevented many people from suspecting that it was only ...
Página 319
... called the Devil or Satan ; the lesser spirits were called demons " ( Middle Ages 103 ) . He further speculates on the derivation of demons : " Originally they may have been hostile spirits of the dead , or the spirits of animals or ...
... called the Devil or Satan ; the lesser spirits were called demons " ( Middle Ages 103 ) . He further speculates on the derivation of demons : " Originally they may have been hostile spirits of the dead , or the spirits of animals or ...
Página 349
... called Ione Are , by name of hir father ( a sorie sheepheard ) Iames of Are , and Isabell hir mother [ ... ] . Of fauour was she counted likesome , of person stronglie made and manlie , of courage great , hardie , and stout withall , an ...
... called Ione Are , by name of hir father ( a sorie sheepheard ) Iames of Are , and Isabell hir mother [ ... ] . Of fauour was she counted likesome , of person stronglie made and manlie , of courage great , hardie , and stout withall , an ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women