"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
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Página 142
... desire for physical contact with somebody else reinforces Mother Sawyer's conception as a human character . Even her thoughts of vengeance contribute to this design : " Revenge to me is sweeter far than life " ( 5.1.7 ) . It is true ...
... desire for physical contact with somebody else reinforces Mother Sawyer's conception as a human character . Even her thoughts of vengeance contribute to this design : " Revenge to me is sweeter far than life " ( 5.1.7 ) . It is true ...
Página 149
... desire for Joan , and it is noteworthy that he speaks of desire and not of love : Impatiently I burn with thy desire ; My heart and hands thou hast at once subdued . Excellent Pucelle , if thy name be so , Let me thy servant and not ...
... desire for Joan , and it is noteworthy that he speaks of desire and not of love : Impatiently I burn with thy desire ; My heart and hands thou hast at once subdued . Excellent Pucelle , if thy name be so , Let me thy servant and not ...
Página 288
... desires and bears inhuman traits , but in the end she is reduced to an excluded sinner who has lost control of her life ... desire is for something forbidden by the very nature of man . ( 48-49 ) Such a reading is based on the assumption ...
... desires and bears inhuman traits , but in the end she is reduced to an excluded sinner who has lost control of her life ... desire is for something forbidden by the very nature of man . ( 48-49 ) Such a reading is based on the assumption ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women