"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
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Página 39
... final and irrefutable evidence of guilt ” ( Hughes 98 ) . Scars and other irregularities of the skin tended to be mistaken for the mark . The belief in familiars and the devil's mark played an important role also in Eng- lish witchcraft ...
... final and irrefutable evidence of guilt ” ( Hughes 98 ) . Scars and other irregularities of the skin tended to be mistaken for the mark . The belief in familiars and the devil's mark played an important role also in Eng- lish witchcraft ...
Página 84
... final act and thereby demonstrate the consequences of Acrasia's magic potion . Although Lingua does not personally contact Acrasia and no direct re- lationship between her and the witch is established , she still appears witch- like ...
... final act and thereby demonstrate the consequences of Acrasia's magic potion . Although Lingua does not personally contact Acrasia and no direct re- lationship between her and the witch is established , she still appears witch- like ...
Página 256
... final section is on the witches in Macbeth , Lady Mac- beth is treated less extensively here , although she represents a highly fasci- nating character not only in relation to witchcraft . Lady Macbeth , an indi- vidual and ...
... final section is on the witches in Macbeth , Lady Mac- beth is treated less extensively here , although she represents a highly fasci- nating character not only in relation to witchcraft . Lady Macbeth , an indi- vidual and ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
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