"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
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Página 3
... human versus non - human . The philosophical , religious and cultural history as well as the dramatic representations of non - human beings such as gods , demons , spir- its , ghosts and fairies would justify several separate ...
... human versus non - human . The philosophical , religious and cultural history as well as the dramatic representations of non - human beings such as gods , demons , spir- its , ghosts and fairies would justify several separate ...
Página 73
... human being belonging to the underworld or a supernat- ural sphere . In keeping with tradition , the Devil addresses her as Lucina in the role of the goddess of childbirth and as Hecate in the role of the goddess of witchcraft and the ...
... human being belonging to the underworld or a supernat- ural sphere . In keeping with tradition , the Devil addresses her as Lucina in the role of the goddess of childbirth and as Hecate in the role of the goddess of witchcraft and the ...
Página 142
... human character . Even her thoughts of vengeance contribute to this design : " Revenge to me is sweeter far than life " ( 5.1.7 ) . It is true that she lacks the Christian quality of forgiveness , but her change from a victim to a witch ...
... human character . Even her thoughts of vengeance contribute to this design : " Revenge to me is sweeter far than life " ( 5.1.7 ) . It is true that she lacks the Christian quality of forgiveness , but her change from a victim to a witch ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
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