"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
No interior do livro
Resultados 1-3 de 91
Página 7
... magic , and in Chapter 2 he investigates forms of magic in the categories of allusion , magical image , the hubris speech , the magic - love dialogue , semantics , and stage presentation of magic . Magic and temptation , magic and love ...
... magic , and in Chapter 2 he investigates forms of magic in the categories of allusion , magical image , the hubris speech , the magic - love dialogue , semantics , and stage presentation of magic . Magic and temptation , magic and love ...
Página 14
... magic . " Thus , there exist magic and magicians by ( 1 ) self - definition , by ( 2 ) polemical definition , and by ( 3 ) scientific / historical definition " ( 30 ) . In this connection , self - definition means that a person speaks ...
... magic . " Thus , there exist magic and magicians by ( 1 ) self - definition , by ( 2 ) polemical definition , and by ( 3 ) scientific / historical definition " ( 30 ) . In this connection , self - definition means that a person speaks ...
Página 405
... Magic and Demonology : A Twelve Volume Anthology of Scholarly Articles . 12 vols . ed . Witchcraft in Colonial America . New York : Garland , 1992. Vol . 8 of Articles on Witchcraft , Magic and Demonology : A Twelve Volume Anthology of ...
... Magic and Demonology : A Twelve Volume Anthology of Scholarly Articles . 12 vols . ed . Witchcraft in Colonial America . New York : Garland , 1992. Vol . 8 of Articles on Witchcraft , Magic and Demonology : A Twelve Volume Anthology of ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women