"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
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Página 124
... play . On the contrary , their jocular and merry sisterhood represents an inherent criticism of a society that provided little distraction from the hardships of women's lives . Witchcraft in this play liberates women from social ...
... play . On the contrary , their jocular and merry sisterhood represents an inherent criticism of a society that provided little distraction from the hardships of women's lives . Witchcraft in this play liberates women from social ...
Página 358
... play around 1613 ( 102 ) . In the context of his examination of the date of composition , Freehafer observes that the play was archaic by 1638 : “ It is a pseudo - historical play of the kind in which popular English heroes perform ...
... play around 1613 ( 102 ) . In the context of his examination of the date of composition , Freehafer observes that the play was archaic by 1638 : “ It is a pseudo - historical play of the kind in which popular English heroes perform ...
Página 381
... play " ( Coleridge 106 ) . See also Clark , " Inversion " 126 ; Orgel , Mac . , Introd . xxxii . 456 Harris suggests that the thunder and lightning which accompany the witches throughout the play are their own creation ( 38–39 ) . Since ...
... play " ( Coleridge 106 ) . See also Clark , " Inversion " 126 ; Orgel , Mac . , Introd . xxxii . 456 Harris suggests that the thunder and lightning which accompany the witches throughout the play are their own creation ( 38–39 ) . Since ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
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