"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
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Página 18
... practice , often ignored or forgotten , since the same person may use the arts of sorcery for good or for ill " . " 3 In ... practices . In Mesopotamia , for example , magic was already an ambiguous concept that was known for protection ...
... practice , often ignored or forgotten , since the same person may use the arts of sorcery for good or for ill " . " 3 In ... practices . In Mesopotamia , for example , magic was already an ambiguous concept that was known for protection ...
Página 22
... practices were illegal ( 18–19 ) . As George Mora suggests with respect to Roman law , 29 the proliferation of occult sects may have been a reason for the intolerant attitude of the state . The Twelve Tables ( 450-401 BC ) pronounced ...
... practices were illegal ( 18–19 ) . As George Mora suggests with respect to Roman law , 29 the proliferation of occult sects may have been a reason for the intolerant attitude of the state . The Twelve Tables ( 450-401 BC ) pronounced ...
Página 63
... practices and powers transcends a psychologically plau- sible level of self - awareness ( cf. 182 ) . Idololatria's second monologue on her practices ( 499–546 ) is clearly in- tended to mock the Catholic belief in the protection and ...
... practices and powers transcends a psychologically plau- sible level of self - awareness ( cf. 182 ) . Idololatria's second monologue on her practices ( 499–546 ) is clearly in- tended to mock the Catholic belief in the protection and ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women