"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
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Página 161
... tion to create an enigmatic figure in order to emphasize the ambiguities and contradictions inherent in contemporary belief in witchcraft . Joan is one of three threatening female figures in the tetralogy , and all of them are French ...
... tion to create an enigmatic figure in order to emphasize the ambiguities and contradictions inherent in contemporary belief in witchcraft . Joan is one of three threatening female figures in the tetralogy , and all of them are French ...
Página 232
... tion , and the only point of contact of the two principles is a sound of loud music and a scene shift ( Orgel , Masque 138-39 ) . Moreover the four dances of the masquers of the court ( 489-515 ) contrast with the witches ' dancing be ...
... tion , and the only point of contact of the two principles is a sound of loud music and a scene shift ( Orgel , Masque 138-39 ) . Moreover the four dances of the masquers of the court ( 489-515 ) contrast with the witches ' dancing be ...
Página 323
... tion , whereas Chapter 6.8 in the 1577 edition is numbered as 6.6 so that Chapters 6.8-27 in the English translation are ordered from 6.6 to 6.25 in the 1577 edition . Book 3 also shows defective chapter numbering . The correct ...
... tion , whereas Chapter 6.8 in the 1577 edition is numbered as 6.6 so that Chapters 6.8-27 in the English translation are ordered from 6.6 to 6.25 in the 1577 edition . Book 3 also shows defective chapter numbering . The correct ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
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