"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
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Página 25
... traditional harvest and hunting rites emerge as a strong common model of explanation in both Ginzburg's and J. B. Russell's theory . A factor that definitely contributed to the spread of the belief in witch- craft in the sixteenth and ...
... traditional harvest and hunting rites emerge as a strong common model of explanation in both Ginzburg's and J. B. Russell's theory . A factor that definitely contributed to the spread of the belief in witch- craft in the sixteenth and ...
Página 95
... traditional demonology in the passage quoted above is the belief that the night represented the appropriate time for conjuring . The as- sociation of the darkness of the night with the metaphorical darkness of the act of conjuring is ...
... traditional demonology in the passage quoted above is the belief that the night represented the appropriate time for conjuring . The as- sociation of the darkness of the night with the metaphorical darkness of the act of conjuring is ...
Página 224
... traditional stage conventions , the witches enter from beneath , according to the text . However , it is noteworthy that they are accompanied by " a kind of hollow and infernal music " ( 25-26 ) instead of thunder and lightning , and in ...
... traditional stage conventions , the witches enter from beneath , according to the text . However , it is noteworthy that they are accompanied by " a kind of hollow and infernal music " ( 25-26 ) instead of thunder and lightning , and in ...
Índice
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Direitos de autor | |
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Palavras e frases frequentes
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