Modern Austrian Literature, Volume 40,Edição 2State University of New York at Binghamton, 2007 |
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Página 23
... film . By the time he first visited the Panorama in Vienna in 1903 , he had published poems and short prose pieces for over two decades , established himself as a playwright with Liebelei ( 1896 ) , and looked back on his first ...
... film . By the time he first visited the Panorama in Vienna in 1903 , he had published poems and short prose pieces for over two decades , established himself as a playwright with Liebelei ( 1896 ) , and looked back on his first ...
Página 122
... film's script in its entirety until it was completed , which the couple's documented fears about making the film clearly contradict . Wessely's open protection of Jewish actor Eugen Preiss in a film production where she plays a victim ...
... film's script in its entirety until it was completed , which the couple's documented fears about making the film clearly contradict . Wessely's open protection of Jewish actor Eugen Preiss in a film production where she plays a victim ...
Página 123
... film Der Engel mit der Posaune ( 1948 ) was encour- aged by American occupation cultural officer Otto de Pasetti as a way to reintigrate Wessely into postwar cinema- " das beste Mittel , den Film Heimkehr in Vergessen- heit geraten zu ...
... film Der Engel mit der Posaune ( 1948 ) was encour- aged by American occupation cultural officer Otto de Pasetti as a way to reintigrate Wessely into postwar cinema- " das beste Mittel , den Film Heimkehr in Vergessen- heit geraten zu ...
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