Framing Shakespeare on FilmOhio University Press, 2000 - 255 páginas The aesthetics of frame theory form the basis of Framing Shakespeare on Film. This groundbreaking work expands on the discussion of film constructivists in its claim that the spectacle of Shakespeare on film is a problem-solving activity. Kathy Howlett demonstrates convincingly how viewers' expectations for understanding Shakespeare on film can be manipulated by the director's cinematic technique. Emphasizing that the successful film can transform Shakespeare's text while remaining rooted in Shakespearean conceptions, Howlett raises the question of how directors and audiences understand the genre of Shakespeare on film and reveals how the medium alters the patterns through which the audience views Shakespeare. |
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Página 205
... ( Westerns , p . 223 [ my emphasis ] ) . 21 . Mitchell , Westerns , pp . 161 , 158 . 22. Hodgdon , “ The Critic , the Poor Player , Prince Hamlet , and the Lady in the Dark , " p . 285 . 23. Franco Zeffirelli , " Breaking the Classical ...
... ( Westerns , p . 223 [ my emphasis ] ) . 21 . Mitchell , Westerns , pp . 161 , 158 . 22. Hodgdon , “ The Critic , the Poor Player , Prince Hamlet , and the Lady in the Dark , " p . 285 . 23. Franco Zeffirelli , " Breaking the Classical ...
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... Westerns , p . 167 . 35. Mitchell , Westerns , p . 167 . 36. Yvette Biró , Profane Mythology : The Savage Mind of the Cinema , trans . Imre Goldstein ( Bloomington : Indiana University Press , 1982 ) , p . 128 . 37. According to Dale ...
... Westerns , p . 167 . 35. Mitchell , Westerns , p . 167 . 36. Yvette Biró , Profane Mythology : The Savage Mind of the Cinema , trans . Imre Goldstein ( Bloomington : Indiana University Press , 1982 ) , p . 128 . 37. According to Dale ...
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... Westerns are " not to be taken lightly , " for death " is the great leveller " ( Westerns : Aspects of a Movie Genre [ New York : Oxford University Press , 1977 ] , pp . 125 , 123 ) . 56. Mitchell , Westerns , p . 172 . 57. Linda ...
... Westerns are " not to be taken lightly , " for death " is the great leveller " ( Westerns : Aspects of a Movie Genre [ New York : Oxford University Press , 1977 ] , pp . 125 , 123 ) . 56. Mitchell , Westerns , p . 172 . 57. Linda ...
Índice
Introduction | 1 |
oney as Joe Harper as Hamlet in A Midwinters Tale | 17 |
Chapter | 20 |
Direitos de autor | |
8 outras secções não apresentadas
Palavras e frases frequentes
action actors ambiguity appears audience becomes begins body boundaries Branagh calls camera Carpaccio's character Chimes at Midnight cinematic context conventions Courtesy creates critics cultural death desire discovers drama effect elements existence experience expression fact Falstaff female figure film's frame funeral gaze genre Hamlet Henry Henry's identity imagined king Lady landscape looking male masculine meaning memory Midwinter's Tale movement moves murder narrative objects observes Olivier's opening original Orson Othello painting past performance perspective physical play's pleasure political popular present Prince Private Idaho production reality relationship remains representation reveals rhetorical Richard ritual role samurai Sant's scene screen seems sense sexual Shakespeare's play shot social space spatial spectator stage story suggests tavern theater theatrical tion transformation truth University Press utopian Van Sant's viewer violence vision visual Welles's film Western York Zeffirelli's
Referências a este livro
Almost Shakespeare: Reinventing His Works for Cinema and Television James R. Keller,Leslie Stratyner Pré-visualização limitada - 2014 |
"Frame My Face to All Occasions": Shakespeare's Richard III on Screen Saskia Kossak Visualização de excertos - 2005 |