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THE CONSOLATION.

NIGHT IX.

Containing, among other things,

1. A MORAL SURVEY OF THE NOCTURNAL HEAVENS. 2. A NIGHT ADDRESS TO THE DEITY.

Inscribed to His Grace the Duke of Newcastle, one of his Majesty's Principal Secretaries of State.

-Fatis contraria Fata rependens.-VIRG.

As when a traveller, a long day past
In painful search of what he cannot find,
At night's approach content with the next cot,
There ruminates awhile, his labour lost;

Then cheers his heart with what his fate affords,
And chants his sonnet to deceive the time,
Till the due season calls him to repose:
Thus I, long-travelled in the ways of men,
And dancing, with the rest, the giddy maze,
Where disappointment smiles at hope's career;
Warn'd by the langour of life's ev'ning ray,
At length have housed me in an humble shed:
Where, future wand'ring banish'd from my thought,
And waiting, patient, the sweet hour of rest;
I chase the moments with a serious song.
Song soothes our pains; and age has pains to soothe.

When age, care, crime, and friends, embraced at heart, [shade, Torn from my bleeding breast, and death's dark Which hovers o'er me, quench th' ethereal fire; Canst thou, O night! indulge one labour more? One labour more indulge! then sleep, my strain! Till, haply, waked by Raphael's golden lyre, Where night, death, age, care, crime, and sorrow, To bear a part in everlasting lays; Though far, far higher set, in aim, I trust, Symphonious to this humble prelude here.

[cease;

Has not the muse asserted pleasures pure,
Like those above, exploding other joys?
Weigh what was urged, Lorenzo! fairly weigh;
And tell me, hast thou cause to triumph still?
I think thou wilt forbear a boast so bold.
But if, beneath the favour of mistake,
Thy smile's sincere, not more sincere can be
Lorenzo's smile, than my compassion for him.
The sick in body call for aid: the sick
In mind are covetous of more disease;

[well.

And when at worst they dream themselves quite
To know ourselves diseased, is half our cure.
When nature's blush by custom is wiped off,
And conscience, deaden'd by repeated strokes,
Has into manners naturalized our crimes,
The curse of curses is, our curse to love;
To triumph in the blackness of our guilt,
(As Indians glory in the deepest jet);
And throw aside our senses with our peace.
But, grant no guilt, no shame, no least alloy;
Grant joy and glory, quite unsullied, shone;
Yet, still, it ill deserves Lorenzo's heart.
No joy, no glory, glitters in thy sight,
But, through the thin partition of an hour,
I see its sables wove by destiny;

And that in sorrow buried; this in shame;
While howling furies ring the doleful knell;

And conscience, now so soft thou scarce canst hear
Her whisper, echoes her eternal peals.

Where the prime actors of the last year's scene;
Their port so proud, their buskin, and their plume?
How many sleep, who kept the world awake
With lustre and with noise! Has death proclaim'd

A truce, and hung his sated lance on high?
'Tis brandish'd still, nor shall the present year
Be more tenacious of her human leaf,
Or spread of feeble life a thinner fall.

But needless monuments to wake the thought;
Life's gayest scenes speak man's mortality;
Though in a style more florid, full as plain,
As mausoleums, pyramids, and tombs.
What are our noblest ornaments, but deaths
Turn'd flatterers of life, in paint, or marble,
The well-stain'd canvass, or the featured stone?
Our fathers grace, or rather haunt, the scene.
Joy peoples her pavilion from the dead.

Profest diversions! cannot these escape?'—
Far from it: These present us with a shroud;
And talk of death, like garlands o'er a grave.
As some bold plunderers, for buried wealth,
We ransack tombs for pastime; from the dust
Call up the sleeping hero; bid him tread
The scene for our amusement: how like gods
We sit; and, wrapt in immortality,

Shed gen'rous tears on wretches born to die;
Their fate deploring, to forget our own!

What, all the pomps and triumphs of our lives, But legacies in blossom? Our lean soil Luxuriant grown, and rank in vanities,

From friends interr'd beneath; a rich manure!
Like other worms, we banquet on the dead!
Like other worms shall we crawl on, nor know
Our present frailties, or approaching fate?
Lorenzo! such the glories of the world!
What is the world itself? Thy world?—A grave.
Where is the dust that has not been alive?
The spade, the plough, disturb our ancestors;
From human mould we reap our daily bread.
The globe around earth's hollow surface shakes,

And is the ceiling of her sleeping sons.
O'er devastation we blind revels keep;
Whole buried towns support the dancer's heel.
The moist of human frame the sun exhales;
Winds scatter, through the mighty void, the dry;
Earth repossesses part of what she gave,
And the freed spirit mounts on wings of fire;
Each element partakes our scatter'd spoils;
As nature, wide, our ruins spread: man's death
Inhabits all things, but the thought of man.
Nor man alone; his breathing bust expires,
His tomb is mortal; empires die.
Where, now,
The Roman? Greek? They stalk, an empty name!
Yet few regard them in this useful light;
Though half our learning is their epitaph.
When, down thy vale, unlock'd by midnight thought,
That loves to wander in thy sunless realms,
O death! I stretch my view; what visions rise!
What triumphs! Toils imperial! arts divine!
In wither'd laurels glide before my sight!
What lengths of far-famed ages, billow'd high
With human agitation, roll along

In unsubstantial images of air!

The melancholy ghosts of dead renown,
Whisp'ring faint echoes of the world's applause,
With penitential aspect, as they pass,

All point at earth, and hiss at human pride,
The wisdom of the wise, and prancings of the great.
But, O Lorenzo! far the rest above

Of ghastly nature, and enormous size,

One form assaults my sight, and chills my blood,
And shakes my frame. Of one departed world
I see the mighty shadow: oozy wreath

And dismal sea-weed crown her!* o'er her urn
Reclined, she weeps her desolated realms,
And bloated sons; and, weeping, prophesies
Another's dissolution, soon, in flames.
But, like Cassandra, prophesies in vain;
In vain, to many; not, I trust, to thee.

The Deluge, referred to Genesis vii. 22.

For, know'st thou not, or art thou loth to know,
The great decree, the counsel of the skies?
Deluge and conflagration, dreadful pow'rs!
Prime ministers of vengeance! Chain'd in caves
Distinct, apart, the giant furies roar;

Apart, or, such their horrid rage for ruin,
In mutual conflict would they rise, and wage
Eternal war, till one was quite devour'd.
But not for this, ordain'd their boundless rage:
When Heaven's inferior instruments of wrath,
War, famine, pestilence, are found too weak
To scourge a world for her enormous crimes,
These are let loose, alternate: down they rush,
Swift and tempestuous, from th' eternal throne
With irresistible commission arm'd,

The world, in vain corrected, to destroy,
And ease creation of the shocking scene.

Seest thou, Lorenzo, what depends on man?
The fate of nature; as for man her birth.
Earth's actors change earth's transitory scenes,
And make creation groan with human guilt.
How must it groan in a new deluge whelm'd,
But not of waters! At the destined hour,
By the loud trumpet summon'd to the charge,
See, all the formidable sons of fire,

Eruptions, earthquakes, comets, lightnings, play
Their various engines; all at once disgorge
Their blazing magazines; and take, by storm,
This poor terrestrial citadel of man.

Amazing period! when each mountain-height Out-burns Vesuvius; rocks eternal pour Their melted mass, as rivers once they pour'd; Stars rush; and final ruin fiercely drives Her ploughshare o'er creation!-While aloft, More than astonishment! if more can be! Far other firmament than e'er was seen, Than e'er was thought by man! Far other stars! Stars animate, that govern these of fire; Far other suns! A sun, O how unlike The babe of Bethle'm! How unlike the man

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