Shakespeare Survey, Volume 41Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set. |
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
The Shakespearian Stages Forty Years On | 1 |
The Original Staging of The First Part of the Contention 1594 | 13 |
Charles Calverts Henry V | 23 |
Hamlet An Apology for Actors and The Sign of the Globe | 35 |
The HallFinney Hamlet | 45 |
Malvolio and the Dark House | 55 |
Troilus and Cressida the Greek Camp Scene | 63 |
A heavy sight | 77 |
Metamorphosis in Othello and King Lear | 133 |
The Passing of King Lear | 145 |
Shakespeare Performances in London and StratforduponAvon 198687 | 159 |
Professional Shakespeare Productions in the British Isles JanuaryDecember 1986 | 183 |
The Years Contributions to Shakespeare Studies | 193 |
2 Shakespeares Life Times and Stage | 214 |
3 Editions and Textual Studies | 228 |
246 | |
The Tempests Tempest at Blackfriars | 91 |
Keats and Lucrece | 103 |
The Resources of Characterization in Othello | 119 |
Outras edições - Ver tudo
Palavras e frases frequentes
action actors Antony appears attempts audience become beginning called Calvert Cambridge changes character clear Cleopatra close comedy Complete context costume Cressida critics death Designer direction Director door draw earlier early edition editors effect Elizabethan English English Studies enter essay evidence example fact final Folio given Globe Hall Hamlet hand Henry idea interest interpretation John Keats kind King Lear language later least less lines London look Lucrece Macbeth means nature Night opening original Othello Oxford performance perhaps play playhouse possible present Press problems production Quarto question reference response Review Richard role says scene seems sense Shake Shakespeare Shakespearian speak speare speech stage Studies suggest Survey Tempest textual Theatre theatrical tion tradition tragedy Troilus University whole York