Medieval and Renaissance Drama in England, Volume 13

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John Pitcher, Robert Lindsey, Susan P. Cerasano
Fairleigh Dickinson Univ Press, 2001 - 328 páginas
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Medieval and Renaissance Drama in England is an international volume published every year in a hardcover edition. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama. Volume 17 is specially commissioned to celebrate the scholarship and career of Leeds Barroll, the founding Editor of MaRDiE. Its contents mirror Barroll's many contributions to the study of Shakespeare, the drama, and royal and aristocratic patronage in early modern England.
 

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Índice

Foreword
9
Contributors
11
Some Problems of Interpretation
19
The Writings and Career of Joseph Simons
34
The Documentary Record
57
The Patronage Network of Philip Henslowe and Edward Alleyn
82
His Brothels Keeper?
93
Where Was the Playhouse in Which the Boy Choristers of St Pauls Cathedral Performed Plays?
101
Press Censorship in Elizabethan England
251
Ovid Spenser CounterNationhood
254
Ruler and Subject in the Romances
259
The Homoerotics of Early Modern Drama
265
Shakespeares Tragic Imagination
270
Performances and Appropriations
277
Enter the Whole Army
284
Merry Wives and Heavy Husbands
289

Perplexing Signals in Some Elizabethan Stage Directions
117
Merchant Chivalry as Representational Strategy in Thomas Heywoods The Four Prentices of London
136
Gender Foreigners and the Mother Tongue in William Haughtons Englishmen for My Money
165
Work Bodies and Gender in The Shoemakers Holiday
182
Herberts Censorship of Female Power in Fletchers The Womans Prize
213
Popularizing the Plays on Film TV and Video
235
Queer Theory and American Kiddie Culture
241
Theatre of Fire
247
Art and Politics in the English Renaissance 14851649
295
The Queens Men and their Plays
299
The Arthurian Legend in English Drama and Entertainments 14851625
305
Gender Politics and the Jonsonian Canon
311
An Introduction to Aspects of Theatre Practice and Performance
320
Index
325
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John Pitcher is a Visiting Scholar at the Centre for Women's and Gender Studies at the University of British Columbia in Vancouver.

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