A Midsummer Night's Dream: Critical EssaysDorothea Kehler Routledge, 06/12/2012 - 506 páginas This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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... find information in this section on major foreign productions of Shakespeare's plays as well as land~ mark productions in English. Consisting of more than reviews of specific productions, this section also contains a variety of theatre ...
... find information in this section on major foreign productions of Shakespeare's plays as well as land~ mark productions in English. Consisting of more than reviews of specific productions, this section also contains a variety of theatre ...
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... find such behavior eminently rational and embark on a fin de siecle project that has transfonned critical practice. We are learning, as Terence Hawkes observes, that “Shakespeare doesn't mean; we mean by Shakespeare” (“By,” 3). Apropos ...
... find such behavior eminently rational and embark on a fin de siecle project that has transfonned critical practice. We are learning, as Terence Hawkes observes, that “Shakespeare doesn't mean; we mean by Shakespeare” (“By,” 3). Apropos ...
Página 34
... find their way back. Bottom is both a comic version of the minotaur and the “skein of thread” (480) that guides the lovers, the myth's comic inversion holding in check Dream's repressed tragic possibilities. Theseus as bridegroom has ...
... find their way back. Bottom is both a comic version of the minotaur and the “skein of thread” (480) that guides the lovers, the myth's comic inversion holding in check Dream's repressed tragic possibilities. Theseus as bridegroom has ...
Página 46
... find the patriarchal ideology of marriage “luminous” (Olson's word). Are not the play's spectators being manipulated into supporting a patriarchal view they might question as readers? He notices that Hippolyta, Theseus's prisoner ...
... find the patriarchal ideology of marriage “luminous” (Olson's word). Are not the play's spectators being manipulated into supporting a patriarchal view they might question as readers? He notices that Hippolyta, Theseus's prisoner ...
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