A Midsummer Night's Dream: Critical EssaysDorothea Kehler Routledge, 06/12/2012 - 506 páginas This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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Página xii
... directors whose comments might be titled “The Director's Choice,” histories of seminal productions (e.g., Peter Brook's Titus Andronicus) in 1955), and even interviews with directors and/or actors. Editors have also included photographs ...
... directors whose comments might be titled “The Director's Choice,” histories of seminal productions (e.g., Peter Brook's Titus Andronicus) in 1955), and even interviews with directors and/or actors. Editors have also included photographs ...
Página 12
... director follows the folio version or the quarto. A concomitant effect is the degree of cohesion between Hermia's birth family, her new marital family, and the state. Hodgdon's and McQuire's essays demonstrate the benefits of linking ...
... director follows the folio version or the quarto. A concomitant effect is the degree of cohesion between Hermia's birth family, her new marital family, and the state. Hodgdon's and McQuire's essays demonstrate the benefits of linking ...
Página 21
... director, and critic attests to his comprehensive perspective, urges that the poetry of Dream take precedence over stage effects. Although he discusses ways of presenting the non-realistic elements to an audience accustomed to realistic ...
... director, and critic attests to his comprehensive perspective, urges that the poetry of Dream take precedence over stage effects. Although he discusses ways of presenting the non-realistic elements to an audience accustomed to realistic ...
Página 36
... directors have satisfied their need to ferret out the secret meanings of the dreams in A Midsummer Night 's Dream by turning to Freudian dream psychology, what is seen on stage becomes predominantly a censoring metaphor or facade for a ...
... directors have satisfied their need to ferret out the secret meanings of the dreams in A Midsummer Night 's Dream by turning to Freudian dream psychology, what is seen on stage becomes predominantly a censoring metaphor or facade for a ...
Página 48
... director Charles Marowitz, in his Recycling Shakespeare (1991), a locus (anti)-classicus for academic performance critics, takes exception to Branagh's attempt to eliminate the director as auteur and advance populist, accessible ...
... director Charles Marowitz, in his Recycling Shakespeare (1991), a locus (anti)-classicus for academic performance critics, takes exception to Branagh's attempt to eliminate the director as auteur and advance populist, accessible ...
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