Shakespeare Studies, Volume 23J. Leeds Barroll Fairleigh Dickinson Univ Press, 1995 - 296 páginas Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres. |
Índice
| 9 | |
| 11 | |
Richard Tarlton and the Uses of SixteenthCentury Celebrity | 19 |
Cartography and the Gaze in Shakespearean Tragedy and History | 39 |
Androgynous Union and the Woman in Hamlet | 71 |
stuff the Latin Lesson and the Domestication of Learning in The Taming of the Shrew | 100 |
Colonialist Interpretations of Shakespeares Tempest | 120 |
King Lears Opening Scene and the CommonLaw Use | 146 |
Cultural Politics and Shakespeares Art | 237 |
Women Race and Writing in the Early Modern Period | 241 |
The Stage and Social Struggle in Early Modern England | 247 |
Elizabeth I Susan Frye Elizabeth I | 251 |
Shakespeare and After | 257 |
Differences in Womens ReVisions of Shakespeare | 261 |
Private Matters and Public Culture in PostReformation England | 268 |
Cultural Materialism and the Politics of Dissident Reading | 275 |
Sex Marriage and Ducal Authority in Measure for Measure | 187 |
Lucreces Gaze | 210 |
Essays on Tragedy and History | 225 |
Materializing the Subject in Shakespeare | 229 |
Shakespeare the Actor and the Purposes of Playing | 280 |
Contemporary Critical Quarrels | 284 |
| 289 | |
Palavras e frases frequentes
A. C. Bradley analysis androgyny Angelo Arden argues authority Barker Bianca body Breight cartographic century Claudius colonialist common common-law Cordelia critics cultural death difference discourse domestic drama Duke Elizabeth Elizabethan English essay father female feminine feminism feminist figure gaze gender Gertrude Goneril Greenblatt Hamlet historicism Illegitimacy Juliet Kent King Lear Lacan land landholding language Latin Lear's literary London Lucentio MacCaffrey male Mariana marriage masculine material means Measure for Measure moral mother Ophelia Orgel Orlin Othello Oxford pamphlet patriarchal performance personal identity perspective Peter Laslett play political position practices produced Prospero queen reading Renaissance representation rhetorical Richard Richard III Richard Tarlton role says scene Seneca sense sexual Shakespeare Shakespearean Tragedy Shrew social space spousals stage Stephen Orgel story Tarlton Tarlton's name Tempest theater theatrical tion Tragedy tragicomedy trans translation University Press Vickers woman women words York