Shakespeare Studies, Volume 23J. Leeds Barroll Fairleigh Dickinson Univ Press, 1995 - 296 páginas Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres. |
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Página 22
... means of advancing other interests . We can trace this process in a series of intertextually related pamphlets that use the figure of Tarlton for quite conscious ends , specifically to articulate their place as a lit- erature of popular ...
... means of advancing other interests . We can trace this process in a series of intertextually related pamphlets that use the figure of Tarlton for quite conscious ends , specifically to articulate their place as a lit- erature of popular ...
Página 23
... means of this triangulation , the pamphlet claims a " masculine " place and also tacitly asserts its difference from the ephemerality and ambiguous gendering of the- atrical performance . The narrator of Tarltons Newes situates his ...
... means of this triangulation , the pamphlet claims a " masculine " place and also tacitly asserts its difference from the ephemerality and ambiguous gendering of the- atrical performance . The narrator of Tarltons Newes situates his ...
Página 28
... means of entertainment.14 Tarlton is one of five fig- ures who appear sequentially to the narrator , Kind Hart , in a dream . In accord with Tarlton's reputation , he appears as a clown , present- ing a speech and concluding as would a ...
... means of entertainment.14 Tarlton is one of five fig- ures who appear sequentially to the narrator , Kind Hart , in a dream . In accord with Tarlton's reputation , he appears as a clown , present- ing a speech and concluding as would a ...
Página 29
... means of it . Conversely and simultaneously , it mediates or fills his time . What his money buys is entrance to the particular place where ( the ) play is available to him . In Tarltons Newes the word " use " describes the performative ...
... means of it . Conversely and simultaneously , it mediates or fills his time . What his money buys is entrance to the particular place where ( the ) play is available to him . In Tarltons Newes the word " use " describes the performative ...
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Índice
9 | |
11 | |
19 | |
Cartography and the Gaze in Shakespearean Tragedy and History | 39 |
Androgynous Union and the Woman in Hamlet | 71 |
stuff the Latin Lesson and the Domestication of Learning in The Taming of the Shrew | 100 |
Colonialist Interpretations of Shakespeares Tempest | 120 |
King Lears Opening Scene and the CommonLaw Use | 146 |
Cultural Politics and Shakespeares Art | 237 |
Women Race and Writing in the Early Modern Period | 241 |
The Stage and Social Struggle in Early Modern England | 247 |
Elizabeth I Susan Frye Elizabeth I | 251 |
Shakespeare and After | 257 |
Differences in Womens ReVisions of Shakespeare | 261 |
Private Matters and Public Culture in PostReformation England | 268 |
Cultural Materialism and the Politics of Dissident Reading | 275 |
Sex Marriage and Ducal Authority in Measure for Measure | 187 |
Lucreces Gaze | 210 |
Essays on Tragedy and History | 225 |
Materializing the Subject in Shakespeare | 229 |
Shakespeare the Actor and the Purposes of Playing | 280 |
Contemporary Critical Quarrels | 284 |
Index | 289 |
Palavras e frases frequentes
A. C. Bradley analysis androgyny Angelo Arden argues authority Barker Bianca body Breight cartographic century Claudius colonialist common common-law Cordelia critics cultural death difference discourse domestic drama Duke Elizabeth Elizabethan English essay father female feminine feminism feminist figure gaze gender Gertrude Goneril Greenblatt Hamlet historicism Illegitimacy Juliet Kent King Lear Lacan land landholding language Latin Lear's literary London Lucentio MacCaffrey male Mariana marriage masculine material means Measure for Measure moral mother Ophelia Orgel Orlin Othello Oxford pamphlet patriarchal performance personal identity perspective Peter Laslett play political position practices produced Prospero queen reading Renaissance representation rhetorical Richard Richard III Richard Tarlton role says scene Seneca sense sexual Shakespeare Shakespearean Tragedy Shrew social space spousals stage Stephen Orgel story Tarlton Tarlton's name Tempest theater theatrical tion Tragedy tragicomedy trans translation University Press Vickers woman women words York
Passagens conhecidas
Página 84 - To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.
Página 73 - Remember thee? Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there; And. thy commandment all alone shall live Within the book and volume of my brain, Unmix'd with baser matter: yes, by heaven.
Página 78 - Hecuba to him or he to Hecuba That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears.
Página 205 - They say, best men are moulded out of faults ; And, for the most, become much more the better For being a little bad : so may my husband.
Página 76 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly ; these indeed seem, For they are actions that a man might play ; But I have that within which passeth show ; These but the trappings and the suits of woe.
Página 127 - The bourgeoisie, wherever it has got the upper hand, has put an end to all feudal, patriarchal, idyllic relations. It has pitilessly torn asunder the motley feudal ties that bound man to his "natural superiors," and has left remaining no other nexus between man and man than naked self-interest, than callous "cash payment.
Página 66 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene...
Página 52 - I would have broke mine eye-strings, crack'd them, but To look upon him, till the diminution Of space had pointed him sharp as my needle ; Nay, followed him, till he had melted from The smallness of a gnat to air; and then Have turn'd mine eye, and wept.
Página 206 - With a more riotous appetite. Down from the waist they are centaurs, though women all above : but to the girdle do the gods inherit, beneath is all the fiends' ; there's hell, there's darkness, there is the sulphurous pit, burning, scalding, stench, consumption.
Página 88 - Dost thou come here to whine ? To outface me with leaping in her grave ? Be buried quick with her, and so will I : And, if thou prate of mountains, let them throw Millions of acres on us, till our ground, Singeing his pate against the burning zone, Make Ossa like a wart ! Nay, an thou'lt mouth, I'll rant as well as thou.