Our SenecaYale University Press, 1941 - 285 páginas |
No interior do livro
Resultados 1-3 de 87
Página
... Seneca on Elizabethan Drama . Perhaps the best appreciation of this influence is that of C. F. Tucker Brooke in The Tudor Drama . F. L. Lucas , in Seneca and Elizabethan Tragedy , has given a brilliant summary of their re- sults . It is ...
... Seneca on Elizabethan Drama . Perhaps the best appreciation of this influence is that of C. F. Tucker Brooke in The Tudor Drama . F. L. Lucas , in Seneca and Elizabethan Tragedy , has given a brilliant summary of their re- sults . It is ...
Página 58
... Seneca states were modern . In his youth no orator gave public recitations . When the public began to be ad- mitted there was an essential change which Seneca followed from its cradle . In the introductory epistle to Book III , there is ...
... Seneca states were modern . In his youth no orator gave public recitations . When the public began to be ad- mitted there was an essential change which Seneca followed from its cradle . In the introductory epistle to Book III , there is ...
Página 121
... Seneca crowds the bulk of the plot development into three hundred lines . Again , Seneca does make use of the dialogue to frame or to introduce a messenger speech . This is a device familiar from Greek tragedy but again it is , as a ...
... Seneca crowds the bulk of the plot development into three hundred lines . Again , Seneca does make use of the dialogue to frame or to introduce a messenger speech . This is a device familiar from Greek tragedy but again it is , as a ...
Índice
PREFACE vii | 3 |
THE BACKGROUND of SenECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
10 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action addresses Aegisthus Aeschylus Agamemnon Ajax Amphitryon anapests ANTISTROPHE appears Athens audience Bacchus Calchas character choral ode chorus Clytemnestra comes curse death Deianeira dialogue didst divine dost drama dread earth Elektra entrance epic Eteocles Euripides exit fact familiar Fate father fear follows Fortune function fury ghost give gods Greek hand hast heaven Hecuba Hercules Furens Hercules on Oeta Herdsman Hippolytus Horace horror imperium Iokaste King Kreon Laius lines logue long speech lord Medea Megara messenger speeches messenger's speech monologue motivation murder narrative natural naught never nurse Oedipus Oeta opening oracle Orestes pestilence Phaedra philosophic Phoebus play plot poet Polybus prayer present prologue Prometheus recitation rhetorical Roman Rome Satire scene senate Seneca Senex Sophocles soul speak speaker stage Stoic Stoicism story suppliant technique tell Thebes thee Theseus thine Thyestes tion Tiresias tone tragedy Troades Twas tyrant unto wholly words