Our Seneca |
No interior do livro
Resultados 1-3 de 69
Página 17
In this connection , it is interesting to note that , although Sophocles ' play is half
as long again as Seneca's , the latter devotes 250 lines to the injected material
dealing with the sacrifice and magic , and 299 lines to choruses . Of the
remaining ...
In this connection , it is interesting to note that , although Sophocles ' play is half
as long again as Seneca's , the latter devotes 250 lines to the injected material
dealing with the sacrifice and magic , and 299 lines to choruses . Of the
remaining ...
Página 112
Pyrrhus opens with a speech of forty - seven lines which is answered by
Agamemnon in forty - two . A one - line question by the younger man is answered
in eight lines by the commander - in - chief to which Pyrrhus retorts in nine - and -
a ...
Pyrrhus opens with a speech of forty - seven lines which is answered by
Agamemnon in forty - two . A one - line question by the younger man is answered
in eight lines by the commander - in - chief to which Pyrrhus retorts in nine - and -
a ...
Página 133
Clarence Whittlesey Mendell. sixteen lines ; in the Pbaedra , it announces three
characters , asks one question , and makes two comments , all in a total of
twentyfour lines . These are all perfectly mechanical functions , used for
convenience by ...
Clarence Whittlesey Mendell. sixteen lines ; in the Pbaedra , it announces three
characters , asks one question , and makes two comments , all in a total of
twentyfour lines . These are all perfectly mechanical functions , used for
convenience by ...
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
PREFACE vii | 3 |
The BacKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
10 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly