The Classic and Connoisseur in Italy and Sicily: With an Appendix Containing an Abridged Translation of Lanzi's Storia Pittorica, Volume 1Longman, Rees, Orme, Brown, Green & Longman, 1835 |
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Página 1
... than design , are placed in the most pictur- esque situations — some surrounded by stately walnut- trees , or seated by the side of babbling brooks - others VOL . I. B on the verge of precipices , or half - concealed.
... than design , are placed in the most pictur- esque situations — some surrounded by stately walnut- trees , or seated by the side of babbling brooks - others VOL . I. B on the verge of precipices , or half - concealed.
Página 4
... side of the précipice . A projecting crag , too , here and there over- hanging the pass , and every moment threatening a fall , " jamjam lapsura , cadentique adsimilis , " could hardly fail to inspire something like a sensation of fear ...
... side of the précipice . A projecting crag , too , here and there over- hanging the pass , and every moment threatening a fall , " jamjam lapsura , cadentique adsimilis , " could hardly fail to inspire something like a sensation of fear ...
Página 12
... side of the mountain , we placed ourselves in another diligence , and arrived in the evening at Susa . The descent on the side of Lans- le - bourg , from La Ramasse , the highest 12 PASSAGE OF THE MONT CENIS .
... side of the mountain , we placed ourselves in another diligence , and arrived in the evening at Susa . The descent on the side of Lans- le - bourg , from La Ramasse , the highest 12 PASSAGE OF THE MONT CENIS .
Página 13
... side of Piedmont , where it rises abruptly from its base , than on that of Savoy , where it slopes more gradually towards the valley of the Arc : accordingly , the views on the south side are bolder and more romantic than those towards ...
... side of Piedmont , where it rises abruptly from its base , than on that of Savoy , where it slopes more gradually towards the valley of the Arc : accordingly , the views on the south side are bolder and more romantic than those towards ...
Página 14
... side of the mountain which overhangs the deep valley of Novalese , and has passed the Roche Melon - an enor- mous mountain which rises on the opposite side of that valley - then the vale of the Doria expands before him , and offers to ...
... side of the mountain which overhangs the deep valley of Novalese , and has passed the Roche Melon - an enor- mous mountain which rises on the opposite side of that valley - then the vale of the Doria expands before him , and offers to ...
Outras edições - Ver tudo
The Classic and Connoisseur in Italy and Sicily: With an Appendix ..., Volume 1 George William David Evans Visualização integral - 1835 |
The Classic and Connoisseur in Italy and Sicily: With an Appendix ..., Volume 1 George William David Evans Visualização integral - 1835 |
The Classic and Connoisseur in Italy and Sicily: With an Appendix ..., Volume 1 George William David Evans Visualização integral - 1835 |
Palavras e frases frequentes
Addison admired ancient Angelo antiquity Apennines appearance arches architecture baths beautiful Boccacio bronze built busts Cæsar called Capitoline Hill celebrated century character church Coliseum colour columns Corinthian order cupola Dante decorated Domenichino edifice exhibits feet figure Florence Forsyth frescos gallery Genoa Goldoni Gothic Greek head hills imitation inscription Isère Italian Italy Julius Cæsar Jupiter latter Livy look Madame de Staël magnificent Mathews modern Mont Mont Cenis mountain nature objects observes Ovid painter painting palace Palatine Hill pass perhaps Peter's picture piece pillars placed plain Pliny poet portico portrait Praxiteles Raphael relievos remains remark represented road Roman Rome round sarcophagus says scene Scipio sculpture seems Septimius Severus shew side Siena Sismondi spectators stands statue stone story style sublime supposed taste temple theatre thought tion tomb Trajan ture Tuscan Vallombrosa Vatican Venus verse villas Virgin walls whole
Passagens conhecidas
Página 340 - Let him study the Holy Scriptures, especially the New Testament. Therein are contained the words of eternal life. It has God for its Author ; salvation for its end ; and truth, without any mixture of error, for its matter.
Página 1 - Though sluggards deem it but a foolish chase, And marvel men should quit their easy chair, The toilsome way, and long, long league to trace, Oh ! there is sweetness in the mountain air, And life, that bloated Ease can never hope to share.
Página 160 - The darksome pines that o'er yon rocks reclined Wave high, and murmur to the hollow wind, The wandering streams that shine between the hills, The grots that echo to the tinkling rills, The dying gales that pant upon the trees, The lakes that quiver to the curling breeze...
Página 419 - I remember very well my own disappointment when I first visited the Vatican ; but on confessing my feelings to a brother student, of whose ingenuousness I had a high opinion, he acknowledged that the works of Raphael had the same effect on him, or rather that they did not produce the effect which he expected.
Página 160 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Página 224 - Where the car climb'd the Capitol; far and wide Temple and tower went down, nor left a site: Chaos of ruins! who shall trace the void, O'er the dim fragments cast a lunar light, And say, 'here was, or is,
Página 217 - But Rome is as the desert, where we steer Stumbling o'er recollections: now we clap Our hands, and cry, " Eureka ! it is clear — " When but some false mirage of ruin rises near.
Página 140 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 378 - Jn allegorizing Nature, Guercino imitates the deep shades of night, the twilight grey, and the Irradiations of morning with all the magic of chiaroscuro; but his figures are too mortal for the region where they move. The work of Guido is more poetic, and luminous, and soft, and harmonious. Cupid, Aurora, Phoebus form a climax of beauty, and the Hours seem as light as the clouds on which they dance.
Página 287 - Such reflections check our regret for its ruin. As it now stands, the Coliseum is a striking image of Rome itself — decayed, vacant, serious, yet grand...