John Packard, 1767." Such is a faithful description of this august and venerable relic; and I question whether the learned Scriblerius contemplated his Roman shield, or the Knights of the Round Table the long-sought san-greal, with more exultation.

While I was meditating on it with enraptured gaze, Dame Honeyball, who was highly gratified by the interest it excited, put in my hands a drinking cup or goblet, which also belonged to the vestry, and was descended from the old Boar's Head. It bore the inscription of having been the gift of Francis Wythers, knight, and was held, she told me, in exceeding great value, being considered very "antyke." This last opinion was strengthened by the shabby gentleman in the red nose and oil-cloth hat, and whom I strongly suspected of being a lineal descendant from the valiant Bardolph. He suddenly aroused from his meditation on the pot of porter, and, casting a knowing look at the goblet, exclaimed, "Ay, ay! the head don't ache now that made that there article!”

The great importance attached to this memento of ancient revelry by modern churchwardens at first puzzled me; but there is nothing sharpens the apprehension so much as antiquarian research; for I immediately perceived that this could be no other than the identical "parcel-gilt goblet" on which Falstaff made his loving, but faithless vow to Dame Quickly; and which would, of course, be treasured up with care among the regalia of her domains, as a testimony of that solemn contract.*

*Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin chamber, at the round table, by a sea-coal fire, on Wednesday, in Whitsunweek, when the prince broke thy head for likening his father to a singing man at Windsor; thou didst swear to me then, as I was washing thy wound, to marry me, and make me my lady, thy wife. Canst thou deny it ?—Henry IV. Part 2.

Mine hostess, indeed, gave me a long history how the goblet had been handed down from generation to generation. She also entertained me with many particulars concerning the worthy vestrymen who have seated themselves thus quietly on the stools of the ancient roysters of Eastcheap, and, like so many commentators, utter clouds of smoke in honor of Shakspeare. These I forbear to relate, lest my readers should not be as curious in these matters as myself. Suffice it to say, the neighbors, one and all, about Eastcheap, believe that Falstaff and his merry crew actually lived and reveled there. Nay, there are several legendary auecdotes concerning him still extant among the oldest frequenters of the Mason's Arms, which they give as transmitted down from their forefathers; and Mr. M'Kash, an Irish hair-dresser, whose shop stands on the site of the old Boar's Head, has several dry jokes of Fat Jack's, not laid down in the books, with which he makes his customers ready to die of laughter.

I now turned to my friend the sexton to make some further inquiries, but I found him sunk in pensive meditation. His head had declined a little on one side; a deep sigh heaved from the very bottom of his stomach; and, though I could not see a tear trembling in his eye, yet a moisture was evidently stealing from a corner of his mouth. I followed the direction of his eye through the door which stood open, and found it fixed wistfully on the savory breast of lamb, roasting in dripping richness before the fire.

I now called to mind that, in the eagerness of my recondite investigation, I was keeping the poor man from his dinner. My bowels yearned with sympathy, and, putting in his hand a smal' token of my gratitude and goodness, I departed, with a hearty benediction on him, Dame Honeyball, and the Parish Club of

Crooked Lane;-not forgetting my shabby, but sententious friend, in the oil-cloth hat and copper nose.

Thus have I given a "tedious brief" account of this interesting research, for which, if it prove too short and unsatisfactory, I can only plead my inexperience in this branch of literature, so deservedly popular at the present day. I am aware that a more skillful illustrator of the immortal bard would have swelled the materials I have touched upon, to a good merchantable bulk; comprising the biographies of William Walworth, Jack Straw, and Robert Preston; some notice of the eminent fishmongers of St. Michael's; the history of Eastcheap, great and little; private anecdotes of Dame Honeyball, and her pretty daughter, whom I have not even mentioned; to say nothing of a damsel tending the breast of lamb, (and whom, by the way, I remarked to be a comely lass, with a neat foot and ankle ;)—the whole enlivened by the riots of Wat Tyler, and illuminated by the great fire of London.

All this I leave, as a rich mine, to be worked by future commentators; nor do I despair of seeing the tobacco-box, and the "parcel-gilt goblet," which I have thus brought to light, the subjects of future engravings, and almost as fruitful of voluminous dissertations and disputes as the shield of Achilles, or the farfamed Portland vase.

THE MUTABILITY OF LITERATURE.

A COLLOQUY IN WESTMINSTER ABBEY.

I know that all beneath the moon decays,
And what by mortals in this world is brought,
In time's great period shall return to nought.
I know that all the muse's heavenly lays,
With toil of sprite which are so dearly bought,
As idle sounds, of few or none are sought,

That there is nothing lighter than mere praise.
DRUMMOND OF HAWTHORNDEN.

THERE are certain half-dreaming moods of mind, in which we naturally steal away from noise and glare, and seek some quiet haunt, where we may indulge our reveries and build our air castles undisturbed. In such a mood I was loitering about the old gray cloisters of Westminster Abbey, enjoying that luxury of wandering thought which one is apt to dignify with the name of reflection; when suddenly an interruption of madcap boys from Westminster School, playing at foot-ball, broke in upon the monastic stillness of the place, making the vaulted passages and mouldering tombs echo with their merriment. I sought to take refuge from their noise by penetrating still deeper into the solitudes of the pile, and applied to one of the vergers for admission to the library. He conducted me through a portal rich with the

crumbling sculpture of former ages, which opened upon a gloomy passage leading to the chapter-house and the chamber in which doomsday book is deposited. Just within the passage is a small door on the left. To this the verger applied a key; it was double locked, and opened with some difficulty, as if seldom used. We now ascended a dark narrow staircase, and, passing through a second door, entered the library.

I found myself in a lofty antique hall, the roof supported by massive joists of old English oak. It was soberly lighted by a row of gothic windows at a considerable height from the floor, and which apparently opened upon the roofs of the cloisters. An ancient picture of some reverend dignitary of the church in his robes hung over the fireplace. Around the hall and in a small gallery were the books, arranged in carved oaken cases. They consisted principally of old polemical writers, and were much more worn by time than use. In the centre of the library was a solitary table with two or three books on it, an inkstand without ink, and a few pens parched by long disuse. The place seemed fitted for quiet study and profound meditation. It was buried deep among the massive walls of the abbey, and shut up from the tumult of the world. I could only hear now and then the shouts of the school-boys faintly swelling from the cloisters, and the sound of a bell tolling for prayers, echoing soberly along the roofs of the abbey. By degrees the shouts of merriment grew fainter and fainter, and at length died away; the bell ceased to toll, and a profound silence reigned through the dusky hall.

I had taken down a little thick quarto, curiously bound in parchment, with brass clasps, and seated myself at the table in a venerable elbow-chair. Instead of reading, however, I was beguiled by the solemn monastic air, and lifeless quiet of the place,