The Italian Sketch BookKey & Biddle, 1835 - 216 páginas |
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Página 27
... called , is one of the rarest in practice by moderns . The effect by torch - light , when an interment takes place , must be impressive in the extreme ; though with the broad light of day shining through the windows , the scene seemed ...
... called , is one of the rarest in practice by moderns . The effect by torch - light , when an interment takes place , must be impressive in the extreme ; though with the broad light of day shining through the windows , the scene seemed ...
Página 33
... called the Gardens of Sallust , being the site of that beautiful historian's villa and grounds . There are a few ill - defined ruins here situated , supposed to be those of a temple dedicated to Venus Erycina , and of the mansion , or ...
... called the Gardens of Sallust , being the site of that beautiful historian's villa and grounds . There are a few ill - defined ruins here situated , supposed to be those of a temple dedicated to Venus Erycina , and of the mansion , or ...
Página 46
... called the Baths of Caracalla , ' are massive and broken walls , indicative of former mag- nificence only from their number . Rank weeds have quite overgrown the space which they enclose . All the decorations and luxurious arrangements ...
... called the Baths of Caracalla , ' are massive and broken walls , indicative of former mag- nificence only from their number . Rank weeds have quite overgrown the space which they enclose . All the decorations and luxurious arrangements ...
Página 50
... miraculously shatter the stone . In a neighbouring church , called Ara Cœli , we ad- mired an exquisite marble altar , said to have been erected by Augustus . A BRIGHT Sabbath morning found me seated in the little 50 ROME .
... miraculously shatter the stone . In a neighbouring church , called Ara Cœli , we ad- mired an exquisite marble altar , said to have been erected by Augustus . A BRIGHT Sabbath morning found me seated in the little 50 ROME .
Página 55
... called the Chris- tian Parnassus , representing the fine arts in the per- sons of the great artists ; and the groups ascending , at length terminate in the figures of the Saviour and Madonna . The likenesses , even in this early sketch ...
... called the Chris- tian Parnassus , representing the fine arts in the per- sons of the great artists ; and the groups ascending , at length terminate in the figures of the Saviour and Madonna . The likenesses , even in this early sketch ...
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Palavras e frases frequentes
admirable amid amusement ancient Anina antiquity Antonio Apennine arches Arminian artist attention attractive beautiful beneath Bridgewater Treatises Carlo character Christian church countenance deep delight devoted eloquent excited expression favourable feel Florence gaze Gazette genius grand Hall hallowed happy heart holy week hour human idea imagination impression influence inspiration Intel intellectual interest Ipolito Italian Italy JAMES HALL JOHN GALT Key & Biddle light Lombardy Luigi Madonna Man's Own Book ment mind moral Naples native nature ness Norma object observer occupied opera paintings palace passed peculiar perusal pleasure poetry Pompeii Pozzuoli present quiet religious remarkable render rich rienced Roman ruins sadness scene seemed sentiment Signor sketches sojourner soon spirit sublime taste temple thee Thomas Dick thou thought TIMOTHY FLINT tion Titian tomb Venice Virgil's tomb walk walls wonderful Young Man's
Passagens conhecidas
Página 38 - There is a stern round tower of other days, Firm as a fortress, with its fence of stone, Such as an army's baffled strength delays, Standing with half its battlements alone, And with two thousand years of ivy grown, The garland of eternity, where wave The green leaves over all by time o'erthrown ; — What was this tower of strength ? within its cave What treasure lay so lock'd, so hid ? — A woman's grave.
Página 13 - The Niobe of nations, — there she stands, Childless and crownless, in her voiceless woe ; An empty urn within her withered hands, Whose holy dust was scattered long ago ; The Scipios...
Página 107 - I loved her from my boyhood — she to me Was as a fairy city of the heart, Rising like water.columns from the sea, Of joy the sojourn, and of wealth the mart ; And Otway, Radcliffe, Schiller, Shakspeare's art, Had stamp'd her image in me...
Página iii - Italia! oh Italia! thou who hast The fatal gift of beauty, which became A funeral dower of present woes and past, On thy sweet brow is sorrow plough'd by shame, And annals graved in characters of flame. Oh, God! that thou wert in thy nakedness Less lovely or more powerful, and couldst claim Thy right, and awe the robbers back, who press To shed thy blood, and drink the tears of thy distress...
Página 171 - And solemn smokes, like altars of the world. Thrice beautiful! — to that delightful spot Carry our married hearts, and be all pain forgot. There Art, too, shows, when Nature's beauty palls, Her sculptured marbles, and her pictured walls ; And there are forms in which they both conspire To whisper themes that know not how to tire ; The speaking ruins in that gentle clime Have but been hallow'd by the hand of Time, And each can mutely prompt some thought of flame: The meanest stone is not without...
Página 155 - PLEASURE, that comes unlooked-for, is thrice welcome; And, if it stir the heart, if aught be there, That may hereafter in a thoughtful hour Wake but a sigh, 'tis treasured up among The things most precious ! and the day it came Is noted as a white day in our lives.